Take a Place Like Goole

For almost ten years my adopted hometown was Goole. At the time, roughly the mid-1980s to the mid-90s, I was both living and working there; my short, five minute, pedestrian commute from Broadway to the town centre offices of Boothferry Borough Council. Boothferry was still part of the much-maligned Humberside, both of which disappeared from the local government map exactly 20 years ago today. In this linked post - see also my Random Gubbins blog - I invite you to take an audio tour round the town. 

Goole's history is inextricably linked to the waterways that surround the town, though surely the term 'Venice of the North' should be taken with a large dose of salt. And speaking of salt those twin water towers in the photo above are nicknamed the Salt and Pepper Pots. There was a small fishing and agricultural settlement, in what is now known as Old Goole from the 14th century. In the 1600s the surrounding marshlands were drained by Dutchman Cornelius Vermuyden, the Dutch being dab hands at drains and dykes. In 1826 the Aire and Calder Navigation Company opened the docks and canal basin to the north of the Dutch River, triggering an expansion of the town.  

In this programme from the BBC Radio 4 series Take a Place Like, Stanley Ellis, John Grundy and Dr Juliet Barker have poke around the town taking in the Lowther Hotel, Hilda's Fancy Dress in The Arcade, the port itself and Goole Hall. Take a Place Like Goole was broadcast on 7 August 1988 and repeated the following day, from which this off-air recording comes. Apologies for the interference in the opening minutes. 

What the Papers Say

One of the last vestiges of 1950s commercial television disappears this Sunday as What the Papers Say, residing on Radio 4 for the last six years, publishes its last edition.

For 52 years the Granada TV produced review of the week's press ran on ITV (1956-1982), Channel 4 (1982-89) and finally BBC2 (1990-2008). In March 2010 it was brought back from the dead for a special election run on Radio 4 as What the Election Papers Say, reverting to its original title from 16 May 2010.

On its move to the BBC in 1990 there was a fascinating look at the programme's past linked by the then producer Brian Armstrong. Thanks to Transdiffusion for this upload.

From my own archive comes this edition from 26 May 1990 with Mark Lawson of The Independent. The readers are Delia Corrie, David Mahlowe and Peter Wheeler.   

And here is that final radio edition of What the Papers Say, written and presented by Kevin Maguire of the Daily Mirror. The readers are  Colleen Prendergast, Graham Seed, Steve Critchelow and Rachel Atkins.

Radio Lives - Cliff Michelmore

Throughout the 1960s he was the unflappable safe pair of hands, equally adept at anchoring election coverage, moon landings, current affairs and global broadcasts. At the start of the decade he was the avuncular host who came into people's homes every evening on Tonight ("the next Tonight will be tomorrow night, until then good night") and ended it advising on the latest package deals in sunny Spain on Holiday 69.

Arthur Clifford Michelmore was born in Cowes on the Isle of Wight on 11 December 1919. On leaving school he trained as an RAF engineer in Loughborough. During the war he became a squadron leader and afterwards in 1947 began broadcasting as a sports commentator with the British Forces Network, then based in Hamburg. A year later he became the BFN's Head of Outside Broadcasts and Variety and a year later the Deputy Station Director. As I related in my post on Family Favourites, Cliff was called in to present the German end of the programme at short notice where he was partnered in London by Jean Metcalfe. By 1950 they had married and would become broadcasting's golden couple. Such was the media interest in Cliff and Jean that when their son Guy was born in 1957 Rory McEwen composed this topical calypso for Tonight:

Cliff Michelmore's in a lather

He's suddenly found out he's a father.

A brand new Michelmore's on tonight,

Shoving his father out of the light

He weighs 6 pounds

A bouncing lad,

Which is 16 stone lighter than his dad.

The Daily Herald reported that Woman's Hour had rung Cliff to say: "It's no good, old man. Woman all over the country are badgering us to broadcast a few burps from your offspring. Can we send a microphone along?" Poor Jean found her stay in hospital shattered by photographer's bulbs flashing and the reporter from Woman's Hour immortalising baby Guy's first gurglings on tape.

When Cliff left the BFN and returned to the UK it was as a freelance working for the BBC. On the television service he was both  behind the camera producing shows such as the children's magazine All Your Own, presented by Huw Wheldon, Playbox and Johnny Morris's The Horse Chestnut Man as well in front of them on the children's shows Telescope,  Westward Ho! and Junior Sportsview. For BBC radio he was introducing music shows such as Top Score  and Housewives' Choice as well as providing sports commentaries. Indeed looking through the BBC Genome website throughout most of the 1950s and 1960s there's hardly a week where Cliff's name doesn't appear on either TV or radio either presenting, commentating or producing.

Cliff's break into mainstream TV came about following the arrival of ITV in 1955. The BBC decided to schedule a 20 minute Newsreel, news summary and weather forecast from 7 pm. leaving a 10-minute gap before the evening's entertainment kicked off at 7.30 pm. Producer Donald Baverstock jumped at the chance to fill the void and thus Highlight was born. Billed as "people, events, comments of today" in effect the formula was three short interviews, carefully balanced: "a hard interview at the start, a human interest story in the middle, and a pretty girl at the end". Woman's lib had not reached Lime Grove in the mid-50s.

Initially the presentation duties alternated between Macdonald Hastings and Geoffrey Johnson Smith. When Mac gave it up Cliff was drawn in, apparently following an introduction to Donald Baverstock in one of the pubs near the Lime Grove studios.

Cliff was worth his salt and readily adapted to this live evening broadcast. On one occasion, not long after he joined Highlight, the contents of an edition were the financial journalist Edward Westrop talking about the state of the economy, an interview over the circuit to Cardiff with  Welsh author Gwyn Thomas about a new production of Under Milk Wood and rounding off with a talk to a young Scot who'd just won the World Ham Slicing Championship. The journalist's train broke down at Notting Hill Gate so he was a no-show, the line between Lime Grove and Cardiff went down and so Cliff was left with having to fill the time discussing the finer points of ham slicing. His only consolation was that he went home with copious amounts of ham! 

Working on Highlight Cliff also learnt a valuable lesson that stood him in good stead for the remainder of his career. It came about when he was lined-up to interview Krishna Menon, a Minister in the Indian Government, who was in London to have talks with Harold MacMillan and had also caused ructions at the UN over their stance on Formosa (as Taiwan was then known). Each of Cliff's question was met with somewhat enigmatic rebuke "That question is not cast in the mould of my thinking." Years later Cliff would reflect: "You cannot go into any interview over prepared. Under prepared yes, but never over prepared".

By 1956 Cliff was not only working on Highlight but was still covering sporting matters on Today's Sport and Sports Round-Up was well as covering current affairs on Panorama. It was also about this time he acquired a new nickname. The story goes that he'd missed his train from Victoria Station and had retired to the Golden Arrow bar for a quick drink. He felt a tug at the bottom of his jacket, gazing up at him was a small girl. "Excuse me", she said. "Are you Clifflemore?" Answering yes she ran off and returned a minute later. "Clifflemore, this is my brother." He was carrying a bag of sweets and said, "Have a phweet, Clifflemore."

At the end of the year the Postmaster General, Lord de la Warr, extended the hours available to television (following pressure from the commercial channels rather than the Corporation) by opening up the closed hour between 6 and 7pm, the so-called Toddlers Truce. Donald Baverstock proposed that the Highlight team, with Cliff as presenter, bridge the gap with a nightly show called Man Alive. By February 1957 that title had been dropped in favour of Tonight. The programme was to be "very informal and relaxed in manner, the tempo brisk and competent." Crucially the use of filmed reports was to be an important element, a decision which led to the launching of the TV careers of Alan Whicker, Trevor Philpott and Fyffe Robertson. All this was promised on a very low budget of between £200 and £300 per day. Plus, as Lime Gove was unable to accommodate the expanded show, a temporary home was found in the old Marconi Studios in St Mary Abbott's Place in Kensington - a studio that had recently been vacated by ATV.     

Cliff introduced the first edition of Tonight on Monday 18 February 1957. It had a specially composed sig tune, Tonight and Very Night, written by Felix de Wolfe. The packed running order included the draw for the FA Cup, a press review by John Metcalf, Cy Grant with a topical calypso penned by Bernard Levin of all people, actor Derek Bond telling the story of 'Bulbous Betty' the statue of Aphrodite that was offending people in Richmond Park, Derek Hart interviewing the great Ed Murrow and (intriguingly) Jonathan Miller giving his impressions of shops in Charing Cross Road.

Appearing for the best part of an hour each night Cliff would become a household name, a kind of TV everyman. The Evening Standard likened him to being "the John Bull of the Small Screen" It went on to say "this avuncular pink-faced middle-brow with middle-class accent, occasional squeak in the voice and mid-as-cocoa manner has a very warm place in the hearts of millions of Britons". Behind the scenes he was well-liked by colleagues but apparently "he was not easy to get on with; he could be prickly and he did have bursts of temper, but these never lasted long."

Tonight ended its run in June 1965 but Cliff was soon back as main presenter of BBC1's new current affairs programme, Twenty-Four Hours, broadcast on weeknights at 10.30 pm - so in some ways a forerunner to Newsnight. He was cutting back on  his radio work, reports for the West region and football commentaries for the Light Programme, but was still much in evidence on the telly: "One way or another I got caught up in the Cuban missile crisis, General Elections, Olympic Games, early space shots, Royal Investitures, Hungary and Czechoslovakia, Concorde's maiden flights, the Apollo Moon programme."

Cliff was chosen to anchor the programme with the biggest worldwide audience (at the time), the Our World satellite link-up of 25 June 1967 that pulled in at least 400 million viewers, some estimates say 700 million.  

In July 1968 Cliff left Twenty-Four Hours (the programme continued with Kenneth Allsop and Michael Barrett and later David Dimbleby by which time its title had slimmed down to 24 Hours). Ostensibly he left to "settle for a more predictable lifestyle" which would allow more time with the family. In fact he was also planning to move into industry and set up a corporate video programme production, as a subsidiary of EMI, with Gordon Reece. However, a return to TV was not far away.   

The edition of the Radio Times that ushered in 1969 was packed with the usual holiday ads: JetSet holidays offering 15 days in Majorca for £35.10.0, Hoverlloyd with Ramsgate to Calais in 40 minutes for £10 plus a new weekly column from travel writer John Carter. Meanwhile the centre colour pages showed the Michelmore family on holiday, in Scotland and on the Isle of Wight, though they had plans to visit Canada. All this was to promote the new BBC1 series Holiday 69, designed to "take the worry out of your holiday planning". The first edition covered the increasingly popular package holidays, week two looked at holiday camps. For the next seventeen years Cliff was the trusted programme host, offering viewers a mix of exotic, and not so exotic, travelogues plus a dose of consumer advice. Here, in 1994, he returned to the programme when it celebrated its 25th anniversary. The presenter at the time was Jill Dando.

After Twenty-Four Hours Cliff didn't leave current affairs entirely. In 1980 and 1981 he was one of the presenters of Southern TV's regional news show Day by Day. It wasn't an entirely happy period as the commute to the studio's in Southampton proved exhausting.

Throughout the 1980s and 1990s Cliff returned to radio. In 1982 and 1983 he sat in for both Jimmy Young and Ed Stewart on their Radio 2 shows. The latter now included a Family Favourites feature so it was full circle. There was Waterlines (1984-92), a sort of aquatic Going Places, on Radio 4 (later transferring to Radio 5) and Coastline (1991-92) also on Radio 4. He took over as chair from David Hamilton of Radio 2's nostalgia based quiz Some of These Days (1986-91). His last regular series was again mining a nostalgia seam in A Year to Remember.

Since Jean Metcalfe's death in 2000, Cliff's media appearances were infrequent. He was last seen on TV on BBC Parliament's 2007 theme night The Pound in Your Pocket and in 2009 he was reading listener's news on iPM.

In 1984 Cliff suffered a suspected heart attack which caused him to take stock of his life. In the joint autobiography Two-Way Story he imagined what his obituaries might read like: "They might say I had been extremely fortunate to have achieved a measure of success in broadcasting in spite of lacking the intellectual powers and education of some of my contemporaries and the physical attributes of others. Hopefully they would add that I was greatly blessed by the love of a wife and family who, with good humour and tolerance, overlooked, and even ignored, the deficiencies in my character."

Cliff Michelmore 1919-2016

"The next Tonight will be tomorrow night, until then good night."

Quotes taken from:

Two-Way Story by Cliff Michelmore and Jean Metcalfe (Futura, 1986)

Tonight: A Short History by Deirdre Macdonald (BFI Dossier 15, 1982)

Virgin's Back

After an eight year absence Virgin Radio is back in the UK later this month on the Sound Digital DAB multiplex (picture left, due to kick off on 30 March). When the old Virgin 1215 launched in April 1993 it was the first national popular music station to come on air since Radio 1 some 26 years earlier. It promised "the best of album rock and pop from the last 25 years". The opening tracks included INXS, The Cure, The Beatles, Bob Dylan, Queen and Simply Red.

Virgin 1215's DJ line-up came from Radio 1, local radio (both BBC and ILR) and the English service of Radio Luxembourg that had closed down the previous December. The joint programme directors were Richard Skinner and John 'Johnny Boy' Revell.

The station promised advertisers an ambitious 3.3 million listeners per week. Skinner accepted that his former employer "Radio 1 is our main competitor and we will primarily be head-to-head with them. We will make a dent in their listenership." Of course for non-FM listeners there was also the option of the long-wave only Atlantic 252. But the big issue for Virgin was always whether a rock audience would put up with AM's audibility over a clear FM signal. Certainly in Beverley, where I recorded the opening minutes, 1215 AM sounded a bit slushy.

Though the official launch was scheduled for 12.15 on 30 April 1993 the station had been beaming out live test transmissions throughout the month. The first live voice on air for those tests was Tommy Vance, just minutes after signing off from his last Friday Rock Show on Radio 1.  

Thanks to YouTube user 'Neatishead' for uploading this audio of test transmissions and the launch.

Needless to say I also had my tape rolling to capture the opening from Richards' Branson and Skinner. "The radio revolution is here!".

The newsreader is Tim Page (these days the news editor at BBC Radio Shropshire) who reads the bulletin provided by Chiltern Radio's Network News.   

The opening weekend featured 1,215 classic hits, played in alphabetic order of title. This is how the first hour panned out:

Born to be Wild - INXS

Purple Haze - The Cure (although Skinner back announces it as Hey Joe)

A Day in the Life - The Beatles

A Hard Rain's Gonna Fall - Bob Dylan

A Kind of Magic - Queen

A New Flame - Simply Red

A Sort of Homecoming - U2

Abacab - Genesis

Abracadabra - Steve Miller

Accidents Will Happen - Elvis Costello

Across the Universe - The Beatles

The first station schedules ran as follows:

Saturday

6.00 Graham Dene

10.00 Chris Evans

13.00 Emperor Rosko

16.00 Dave Fanning

20.00 Kevin Greening

23.00 Tommy Rivers

2.00 Sandy Beech

Sunday

6.00 Graham Dene

10.00 Classic Tracks with Kevin Greening

16.00 Album Chart with Russ Williams

19.00 Jonathan Coleman

22.00 Nick Abbot

2.00 Sandy Beech

Weekdays

6.00 Russ Williams

10.00 Richard Skinner

13.00 Mitch Johnson

16.00 Tommy Vance

19.00 Jonathan Coleman (Fri Emperor Rosko)

22.00 Nick Abbot (Fri Kevin Greening)

2.00 Wendy Lloyd (Fri Sandy Beech)

Here's how Martin Wroe of The Independent reviewed Virgin 1215's launch. Quoting Stuart Bailie of the NME he saw the station as being "for people who have nearly stopped listening to music, people on their way to the paddock. But just because millions of people buy Dire Straits albums doesn't mean their music is any good. But their are a lot of people out there with very sad taste, so the station could succeed."

Meanwhile, at the other end of the musical spectrum, Mike Soutar of Smash Hits said: "If it's a feel good station, which Radio 1 is not, then it will succeed. But my readers won't be listening to it. they're all at school."

The sole survivor from 1993, still on Absolute, is, of course, Russ Williams. From that first weekend here's part of the Virgin Labatt's' Album Chart show. The newsreader this time is Robert Nisbet, latter a senior news correspondent for Sky News and now Regional Director for the Rail Delivery Group.