Exactly twenty five years and 1991 draws to a close. Radio
1's Newsbeat team review the year.
The Gulf War comes to an end. (A long sequence is played over Oleta Adams's Get There: "You can reach me by
caravan, cross the desert like an Arab man.") Right Said Fred get too sexy
for their shirts. The death of Freddie Mercury. There's a wind of change blowing through the Soviet
Block (cue the Scorpions). Bryan Adams hangs onto the number one spot for an
eternity. The grey Prime Minister has his first full year as PM. Terry Waite is
released.
News 91 Review of the Year was broadcast on BBC Radio 1 on
31 December 1991.
Here's a fascinating piece of analysis that, according to The Guardian, is the "most
comprehensive analysis ever carried out of comedy panel shows". Conducted
by Stuart Lowe of the Open Data Institute it concludes that "only once in
the history of British TV and radio has a programme had an all-female line-up".
Lowe observed that few women appeared on panel games and was
determined to undertake a more scientific approach to analysing whether or not
this was actually the case. The Guardian
report continues: "Of more than 4,700 individual episodes examined ...
1,488 programmes since 1967 have been made up solely of men. But only on one
occasion in 49 years has there been a programme in which the presenter and all
the panel were women – an episode of BBC Radio 4’s Heresy in January 2012 presented by Victoria Coren-Mitchell".
Whilst Lowe appears to overlook Petticoat Line (1965-74) which arguably became a more comedic show -
a sort of all-women Does the Team Think
- and was always 100% female then in theory this edition from the eighth series
of Heresy is a piece of broadcasting
history.
According to Coren-Mitchell “the thing that surprised me is
that it turned out to be the silliest episode of the series. My theory is that,
because productions usually put one woman on a panel show (or none) and stop
there, women get used to having to (at some wearisome level) ‘represent’ female
humour when we appear on these shows ... but with four women the pressure was
off. It was nobody’s individual responsibility to prove anything. So we all got
the chance to just mess about, relax and make free jokes like men do.”
So here is that edition of Heresy from 4 January 2012 (though I think my recording is of a
subsequent repeat). With Victoria Coren-Mitchell are Sue Perkins, Cerys
Matthews and Maureen Lipman.
Postscript
Since I first drafted this blog post last week I've been in
touch with Stuart about the Petticoat
Line and he's now updated his data and created a Wikipedia article on the
show. I was pretty sure I had a couple of audio clips but so far I've only
tracked this one down from 1969.
Petticoat Line
aside Stuart's basic arguments remain that on radio and TV "nearly all
these long-running shows under-represent women even if you ignore the regulars.
Few shows have equal representation amongst guests."
It was the kind of shock ending to Christmas Day that you'd expect from one of the soaps. But this news was real enough. As I sit drafting this post at 2 am on Boxing Day listening
to the hits of George Michael, currently playing back-to-back on Heart, I fear
my words cannot do justice to his music and career. But oh, what a voice.
So instead let's hear George talking about himself and
performing in concert twenty years ago. The
interview, conducted by Chris Evans, was part of the warm-up for a concert
recorded in October 1996 in the Radio Theatre at Broadcasting House. He touches
on smoking, the Sony lawsuit, sexuality and the reasons he wants to get back on
stage.
This programme, An
Audience with George Michael, was first heard on BBC Radio 1 on 8 December
1996. My tape started partway through the interview so I've tidied it up a
little. And if anyone has the first 30 or so minutes please contact me.
This year's pick from the festive comedy selection box is a
1980 edition of Frank Muir Goes Into...
Running over eleven series from 1973 to 1987 this is the
Christmas special Frank Muir Goes Into ... Festivities. Joining Frank Muir is,
as usual, Alfred Marks reading the comic
quotations with recorded contributions from Bill Cosby, Alan Bennett, John
Sergeant, Virginia Stride, Instant Sunshine, Joyce Grenfel, Tom Lehrer and Bob
Newhart.
This programme was first broadcast on BBC Radio 4 on 24
December 1980.
Frank Muir recounts how the series came about: "It all
began when BBC Radio 4, seeking to find ways to make use of the mass of
recorded material in their archives, asked me to do a Christmas programme for
children tracing the development of radio comedy since the war. This went out
in 1971 under the title Why Are You Laughing?
It was produced by a couple of likely lads named David Hatch and Simon Brett,
who spent hours in listening rooms hearing playbacks of the Golden Oldies of
radio, and comedy LPs made by the likes of Woody Allen, Michael Bentine and
Stanley Baxter. A group of actors played 'live' sketches and told the sort of
jokes which needed to be told as illustrations.
It became clear that the formula, the 'mix' of the show, was
unusual and had more potential than being merely a way of re-broadcasting
archive material. So the BBC decided to have a go at a series. It was called Frank Muir Goes Into... because each
week we took a theme, e.g. Home, Sport, Jobs, and took a look at the humour
which these subjects attracted.
We needed a kind of general-purpose joke-teller and actor
and Alfred is a little more than these. He happens to know every old joke (old
jokes are vitally important) and can tell them as well as anybody but he is
also a fine straight actor, a sensitive reader of poetry and is possessed of an
unbelievable range of dialects and accents".
From Frank Muir Goes
Into... by Frank Muir and Simon Brett (Star Books, 1978)
2016 took its toll on the entertainment world with the passing of many major actors, singers
and comedians. Radio too marked the loss of four DJs each of whose careers had
spanned about five decades. All four famously appeared in that group shot to
mark the launch of BBC Radio 1. They are, on the back row, Jimmy Young and Dave
Cash, in the middle Terry Wogan and seated at the front Ed Stewart.
I've written about Jim, Dave, Terry and Stewpot during the
year. But as 2016 draws to a close here's a further opportunity to enjoy their work.
Ed Stewart
Ed presented a revived version of Junior Choice live every Christmas Day on Radio 2 between 2007 and
2015. The playlist was virtually the same every year - festive pop classics
mixed with all the children's favourites and novelty songs - but listeners
loved it. Here's the complete programme from Christmas 2009. Reading the news
is Fran Godfrey.
Between 1991 and 1999 Ed had a daily afternoon show on Radio
2. His final show was on Friday 2 July before he was moved to a Sunday
afternoon slot. Here's the majority of that programme. Yet again the perils of
recording on a C90 means that the tape turn falls in the middle of the
Accumulator Quiz. Taking part in the final run is quiz junkie Isabelle Heward -
she's in the current series of Mastermind
and has appeared on The Weakest Link,
The Chase, Only Connect, Counterpoint,
Countdown and 15-1. Also featured are Barbara Windsor, Hilary Oliver, Radio 2
controller Jim Moir and, for some reason, Victoria Beckham's dad, Tony Adams.
With the travel news is Sally Traffic and reading the news Colin Berry.
Terry Wogan
For nine years, 2000 to 2008, it was a Christmas morning tradition
for Radio 2 to feature a show with Our Tel. All recorded of course, Terry would
no doubt be at home helping "the present Mrs Wogan" to peel the veg. This is a delightful slice of
audio archive from Christmas Day 2007. Assisting Sir Terry are Deadly, Boggy,
Lynn and Barrowlands Boyd in a tribute to Mrs Gaskell, Scranford, a panto and a Janet and John story.
Dave Cash
Dave hosted what would be his final shows, The Dave Cash Countdown as well as Dave Cash Country, on the weekend of
15th and 16th October. Here's the penultimate Saturday evening retro chart show
as heard on BBC Radio Kent on the 8th of October playing hits from 1968 and
1978.
I've posted this before but this is Dave's guest appearance
on Pirate Johnnie Walker as heard on Radio 2 on 27 December 2009.
Jimmy Young
When Jimmy died last month he hadn't been on air with a
regular show for 14 years as he'd been given the boot by Radio 2 in December
2002. My tribute to Jimmy includes his final show and his penultimate one is on
MixCloud. But here's 80-odd minutes of the anti-penultimate show from Wednesday
18 December 2002.
Jimmy did present other shows on Radio 2, he took turns on Radio 2 Top Tunes and Two's Best for instance. But here he is
as the compere of a concert that very much features the kind of music he probably
would've first introduced on the Light Programme. The Golden Age of Radio was broadcast on 22 February 1992 live from
the White Rock Theatre in Hastings. The BBC Concert Orchestra is conducted by
Bramwell Tovey and the guest pianist is Alison Procter. I'm grateful to Paul
Langford for this recording (which is edited).
So Steve Massam is packing it in, hanging up his headphones after 33 years. He now gets his Sundays back.
Admittedly those outside the Radio Humberside area may not
know the name but Steve has been part of the station line-up since 1983 - as
far as I'm aware the only DJ from that decade still broadcasting from the
Queen's Gardens studios.
Steve had a daily show on Humberside for the best part of
two decades. Initially a mid-afternoon show called Let's Go - this was still the era when all local radio programmes
had to have a title - he moved to lunchtimes in February 1986.
Steve's the one on the left! (Pictured in 1986)
Longer running still is his Sunday morning request show,
again starting in late 1983 under the title Sunday
Spin where, it seems, he had a little help from Postman Pat! Eventually
this was renamed Steve Massam's Sunday
Requests and which, though the run times have changed a little of the years,
has aired every week and concludes with Steve's last show on 18 December.
For my audio contribution I must express a degree of
self-interest. At the time of this recording, 24 May 1998, Steve's Sunday show
included a live pub quiz. Taking part were the Jolly Miller, Wrawby and The
Gardeners Arms, Coniston. Somewhere in the background at Jollies is Val and
myself helping with our quiz knowledge. Back then we lived over on the north
bank in Beverley but my good mate Simon, who at the time just happened to live
next door to the pub, invited us over. My recollection, until I played back
this recording, is that we lost. In fact we won. How could I doubt that!
You'll also hear sports editor Dave Gibbins reporting ahead
of Second Division play-off at Wembley with Grimsby Town doing battle against
Northampton Town plus a cookery spot from Karen Edwards.
Tributes following the death last month of actor Andrew
Sachs understandably lauded his masterful comic portrayal of the dim-witted
Manuel. Surely there's no-one who can't verbatim quote lines from Fawlty Towers.
Although Andrew had a considerably lengthy television career
spanning just over fifty years there was an even greater body of work on the
stage and on radio. In this post I review his radio career.
Andrew's first professional acting engagement was in 1947 in
a repertory theatre production at Bexhill-on-Sea of Ronald Millar's Frieda. For most of the 1950s he
was in rep and then in the West End in a number of Whitehall farces (he appeared in a number of BBC
televised Brian Rix farces 1958-62 and 1967-69). Andrew also joined the BBC Drama Repertory
Company, his audition report reading: " Very much like the voice,
remarkable range as accents, direction, good voice control, very versatile,
nice to see such a range, vitality, would be useful to have but his real
resting place is with variety and features." Initially he was cast in a number of minor
roles in dozens of plays and Saturday
Night Theatre productions as well as the 1957 radiophonic soundscape Private Dreams and Public Nightmares
where Andrew played one of the ethereal voices alongside Frederick Treves and
Joan Sanderson (decades later making a guest appearance as the hard-of-hearing
Mrs Richards in an episode of Fawlty
Towers).
Private Dreams and
Public Nightmares was first heard on the BBC Third Programme on 7 October
1957.
German-born Sachs was an obvious choice to act out some of
the scenes in the Network Three adult learning series Talking Germanand Improve
Your German (1959-63). Occasionally he broadcast for the BBC's German
Service. Meanwhile he continued to make almost weekly appearances for the BBC
Drama Repertory Company in plays and serials on the Home, Light and Third, more
often than not some way down the billing, though he did co-star with John
Baddeley in the Afternoon Theatre
comedy Slightly Off Key and with
Barbara Leigh-Hunt in My Dearest Angel.
He also appeared in, and for a while directed, episodes of the daily serial The Dales.
In 1962 Andrew started to write for radio. His first broadcast
piece was One Man and his Dog, heard
on the BBC Home Service. In 1964 he followed that with the black comedy Till Death Do Us Join in which Lance
Percival's character Mr Ernest Wire is intent of bumping off his wife. Other
productions that some year were Fearful
Adversaries about a 'down-at-heel Soho busker' played by Sachs himself and Flat to Let for Midweek Theatre. The following year he co-wrote with Jill Hyem a
daily serial broadcast over a month called Dear
Girls about a group "who come to London to find their fortune but had
to share a house in Belsize Park." The cast of Dear Girls included Melody Lang, who Andrew had married in 1960. Dear Girls was the forerunner to Waggoner's Walk as four years later Jill
Hyem, now writing with Alan Downer, continued with the idea of a group
characters in a bedsit in Belsize Park in the
Saturday Night-Theatre play The
Ropewalk, this in turn became the long-running Radio 2 daily serial. Andrew himself appeared in a number of
editions of Waggoner's Walk.
Other plays written by Andrew include Afternoon Theatre productions Pie
and Pea Supper (1966), Decline
and Fall of the Empire (1969), Made
in Heaven with Timothy West and future Fawlty
Towers co-star Prunella Scales (1971), Home
from Home starring Martin Jarvis (1972) and Cash Me a Portrait (1972). For Midweek Theatre there was Philately Will Get You Nowhere (1971)
which has had a number of repeats. In 1985 he wrote The Art Lovers trilogy.
But perhaps Andrew's best-known original work is The Revenge, to date radio's only play
without words. Recorded on location in binaural stereo it's a thriller telling
the story of a man on the run. First heard on BBC Radio 3 on 1 June 1978 it
gained a swift repeat a month later, twice in the same evening.
The original broadcast was preceded by a discussion with
producer Glyn Dearman, head of drama Ronald Mason and Andrew Sachs. In this
version you'll also hear Andrew talking to Peter Reed about the play taken from
the Radio 7/4 Extra programme I Did It MyWay.
Andrew was appearing on stage in No Sex Please, We're British in early 1975 when John Cleese and BBC
producer John Howard Davies came to see a performance. Impressed by what they
saw they offered him the part of Manuel in the sitcom that Cleese and Connie
Booth were in the middle of writing. No doubt they recognised how well Andrew
played farce, an element that would feature throughout Fawlty Towers. The rest, as they say, is history.
Andrew's non-Fawlty Towers RT cover for BBC1's The History of Mr Polly (March 1980)
During the 1970s and 80s Andrew continued to work regularly
on radio. He was a superb narrator and reader, what he termed "sitting
down acting", cropping up on A Book
at Bedtime, Story Time, Poetry Please! and Time for Verse. Now a star name he was a panellist on The Law Game, The Name's the Game, Give Us
a Conch and others and was in the comedy shows Delve Special, Sloe Coaches,
Week Ending, Going for Broke and Little
Blighty on the Down. In 1987 he was also back helping listeners to learn a
new language, this time Spanish in When
in Spain,working on the premise
that Manuel would step in and prompt Andrew on what to say.
In this the first episode of Sloe Coaches Andrew Sachs plays the part of Gerhardt "a former
Luftwaffe pilot who crash-landed his Heinkel and has been trying to repair it
ever since". In the starring role is Roy Kinnear playing the scheming boss
of a ramshackle Sussex coach company. Gerhardt is one of his drivers. The Radio
2 series was written by Charlie Adams and John
Lea. There was only one series of Sloe
Coaches. It's not hard to see why.
Following in the footsteps of Alec Guinness and Kenneth
More, Andrew took on the role of G.K. Chesterton's Father Brown in a couple of
series heard on Radio 4 between 1984 and 1986. On playing Father Brown he told
the Radio Times "I've always
thought of him as essentially English and I never think of myself as a very
English actor, nor indeed a very English person. But he's a lovely man to play
and, on radio, the stories stand on the style of the writing. The adapter, John
Scotney, has caught Chesterton's style beautifully -and that's not easy when
you have only dialogue to rely on."
Radio Times illustration by Robin Jacques for the radio adaptations
of the Father Brown Stories
This is the first story from the second series of the Father Brown Stories titled The Perishing of the Pendragons.
In the early nineties Andrew would become a familiar voice
to a whole new younger generation reading the daily stories in Wiggly Park on Radio 5. Here's an
example of his story-telling.
Andrew was also cast in another Radio 5 children's serial The Adventures of Tintin as Snowy but by
now the majority of his radio work was as a reader on Poetry Please! and With Great
Pleasure. There was also a reading of the French comic masterpiece Clochemerle and a role in the
'"rock 'n' roll sitcom" Love 40
- New Balls Please, both on Radio 2. Over on Radio 4 he was in the comedy
series Man of Soup (1999) and Dirk Gently's Holistic Detective Agency
(2007). His last starring role on radio was as Dr John Watson opposite Clive
Merriman's Holmes in The Further Adventures
of Sherlock Holmes (2002-04 & 2010).
In 2002 Andrew was featured on the Radio 4 series That Reminds Me in which actors and
comedians reminisced about their life and career in front of a live audience.