Go Man Go was another of those BBC Light Programme lunchtime music shows that proliferated during the 1950s and 1960s. Recorded before a frenzied young audience they offered the latest hits as interpreted by an orchestra, resident singers and weekly guests. In the words of the programme billing it was a ‘lunchtime session of rock, cha-cha, jazz and the top of the pops’. In this case the music was provided by the Oscar Rabin Band under the direction of David Ede, who also introduced the majority of the shows. Go Man Go ran for 256 shows between December 1958 and March 1964. The programme’s origins lie with the self-effacing band leader Oscar Rabin, whose own broadcasting career goes back to the 1920s.
Oscar Rabinowitz
was born in Riga in 1899 and his family moved to London when he was aged just four.
The story goes that on his way to school in the East End he regularly met and
guided a blind fiddler who, in return, gave him violin lessons By the time he
was 15 he’d become a professional musician, playing the violin and later the
bass saxophone, and studying at the Guildhall School of Music. After the war, in 1919, he formed his first
band called the Syncomaniacs Jazz Five changing their name a year or two later to
the Romany Five. Rabin met guitarist and banjo player Harry Davis in Liverpool
in 1924 and they joined forces, starting at the Palace Hotel in Southend.
Adding more members to the combo they became the Romany Band and enjoyed a long
residency at Hull’s Palais de Danse from July 1926 to October 1927. They made
their first broadcasts from the venue on the city’s BBC relay station 6KH in
February and June 1927. Their next radio appearance was on 2LO in 1929.
From 1929 the band was touring the dance halls on the Astoria circuit and regularly appearing at the Astoria on Charing Cross Road. The Romany Band was billed as ‘led by’ or ‘under the direction of’ Oscar Rabin but he generally sat behind his bass sax. It was Harry Davis (pictured above left with Oscar Rabin right) who acted as the front man and vocalist with Rabin saying “I’d rather leave that kind of job to someone who can do it well”. In the words of one later press review “Oscar Rabin is a dance band leader who has no desire to stand in front of his band making vague gestures and seems quite content to produce grunting sounds from his bass saxophone”. (1)
During the
30s the Romany Dance Band, as it was now known, continued to tour, had a long residency
at the Hammersmith Palais, cut a few records and, from 1935, make increasingly
regular BBC radio broadcasts and even some appearances on Radio Normandy in a
show sponsored by the House of Seager. It was claimed that the band was run on
an entirely co-operative basis. Profits and losses were shared equally by
members and there was a £2,000 band fund from which was paid full wages for
sickness or vacant dates.
By 1938 the
Romany Dance Band was one of the main bands heard on the wireless, alongside
those led by Joe Loss, Ambrose and Henry Hall. On 22 October that year they
also appeared on BBC television in the first ever broadcast from a dance hall,
with cameras being present at Hammersmith’s Palais de Danse. They made a couple
more pre-war TV appearances and in the 1950s provided the music for Come Dancing.
With the
outbreak of World War II Oscar Rabin continued to appear in Hammersmith and
make at least weekly, sometimes even daily, broadcasts. After some personnel
changes, in the summer of 1940 they dropped the ‘Romany’ reference from the
band’s name.
The Oscar Rabin Band appeared at Portsmouth's
Savoy Ballroom in September 1949
Throughout
the 1940s and 1950s Oscar Rabin and his Band made hundreds of broadcasts,
including Music While You Work.
Meanwhile, by 1950 David Ede had joined the band as a clarinet and saxophone
player and also appeared on the bill with his own vocal quartet when the band
toured. In 1951 Harry Davis left for the States to live with his daughter and
son-in-law (2). David Ede took over duties as the band’s compere of what was
then billed as “Britain’s foremost broadcasting band”.
It was in
September and October 1957 on the Light Programme that Oscar Rabin and his Band
started weekly lunchtime shows billed as Break
for Music. The singers employed were Scottish-born Patti Forbes, Mel Gaynor
(described, when he joined the band, as the “new Anglo-Indian pop-chorus
specialist) and singer-songwriter Johnny Worth, real name John Worsley who also
worked professionally as Les Vandyke. They were back on Tuesday lunchtimes from
31 December 1957 in a programme now called Dancing
Time – it would run until September 1958. (3). Joining Mel and Johnny on
vocals was Lorie Mann (real name Barbara Burke) who along with David Ede meant
they were cheesily referred to as ‘Three Men and a Mann’. Making the
introductions was staff announcer Bruce Wyndham.
But during
that run of Dancing Times there was
bad news. Hours after his show on 17 June 1958 Oscar Rabin he was admitted to
Putney Hospital suffering from exhaustion, He suffered two heart attacks and
died on the Friday. The band continued under Ede’s direction.
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Radio Times billing for the show 14 July 1961 |
By 1958 the Rabin Band had a long residency at the Wimbledon Palais de Danse and, at the end of the year, on 29 December, they were back on-air for the start of the five and a bit year run of Go Man Go. With Lorie Mann and Mel Gaynor were Ray Pilgrim (also going by the name Bobbie Stevens), Colin Day and vocal group The Hound Dogs. (4)
Production
duties changed from John Hooper to Terry Henebery (5) in September 1959 and
“the show with the most” now also included ‘The Grooving Guitar of Don
Sanford’. The band’s pianist and arranger Arthur Greenslade (later Shirley
Bassey’s music director) also started to be featured with his own ‘Arthur
Greenslade and the Gee Men’.
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Celebrating the first anniversary of Go Man Go. L-R Terry Henbery, David Ede, Lorie Mann & studio manager Frederick Harris (Alamy) |
Changes in musical tastes necessitated a change in approach for the programme. From April 1962 David Ede was no longer doing the chat between tunes, that role was now taken by jazz guitarist Dis Disley. As well as regular guests from the jazz world there are increasingly more artists from the pop charts such as Craig Douglas, The Brook Brothers, Joe Brown, Ronnie Carroll and Susan Maughan. In later shows the guests ranged from The Rolling Stones, The Swinging Blue Jeans and Billy J. Kramer and the Dakotas to Roger Whittaker, Kenny Lynch and, a rare US performer, Gene Vincent.
For the 200th
show in January 1963 Alan Freeman made the introductions, followed by Tony
Withers and Don Moss. Don George, later at Radio 1, became the show’s third and
final producer from October 1963.
At least two
editions of Go Man Go survive in the
BBC archives, one from 28 December 1959 and another from 1961 that was repeated
in 1995. This off-air recording also dates from 1961. My original information was
that the show was from 28 November 1960, but checking some of the release dates
of the songs covered and the helpful mention of a weekend football result it’s
the broadcast from 13 February 1961. (6)
In this
recording, which is not quite complete as its short by about six or seven
minutes (a number of announcements have been clipped and the 1.30pm news
bulletin that interrupts the programme isn’t included), the band are joined by
singers Barbara Kay (she’d provide the vocal on Johnny Reggae in 1971), Colin Day and Ray Pilgrim plus Don Sanford
on guitar and sax player 'Rockin' Rex Morris (he’d played with Lord
Rockingham’s XI). This is yet another home recording made by the late Eric
Bartington and kindly donated to me by Gerad de Roo.
The tunes
included in the show are:
Three Blind Mice – a jazz version of this nursery
rhyme. Jazz arrangements of the tune had been in existence since the 1930s and
Duke Ellington recorded a version.
Rubber Ball – a hit for both Bobby Vee and Marty
Wilde that year
Autumn Tears – sung by Barbara Kay, a song by
Norman Newell and Cyril Ornadel
Ginchy – a Bert Weedon tune played by Don
Sanford
C’est si bon – the French popular song performed
by Colin Day
Dixieland One-Step – a 1917 jazz standard in the ‘Jazz
Bag’ feature
Will You Love Me Tomorrow – the Goffin-King song that was the
current US number one for The Shirelles
Miss Annabelle Lee – an old twenties tune. Apparently
listeners wrote into the BBC asking for more dance music to be played in the
1920s style (7)
The Story of My Love – a hit at the time, but only in the
US, for Paul Anka
Naomi – played by Arthur Greenslade and
the Gee Men
Are You Lonesome Tonight – Ray Pilgrim’s sings his mum’s
favourite song that was also the Juke Box top play of the time
Stay – a rendition of the doo-wop song that
had just charted for Maurice Williams and The Zodiacs
Many Tears Ago – a current hit for Connie Francis
Walk Right Back – at the time a brand new release by
The Everly Brothers that would top the hit parade at the end of the month
Red Wing – a trad jazz version
First Taste of Love – a new release for Ben E. King
And there
the recording ends without the closing announcement.
Further
off-air recordings of Go Man Go from
21 December 1962 plus some other extracts are on YouTube uploaded by user
HonestArry, who has also written a very informative Wikipedia article. The 2
January 1961 show is also on YouTube from user Bits N Pieces. You can also find
a recording of a 1936 show featuring The Romany Band uploaded by Jonathan
Holmes.
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Radio Times billing 2 January 1961 |
Go Man Go continued on the Light Programme until its last show on Friday 27 Match 1964, just a day before Radio Caroline sailed into the airwaves. Similar lunchtime shows continued to be broadcast such as Parade of the Pops (see blog post Back in Time On the Light –Part 1), The Beat Show and, replacing Go Man Go the following Friday yet another veteran of the pre-war dance era, The Joe Loss Pop Show.
The Rabin
Band (at this time billed as ‘David Ede and the Rabin Band’) continued to tour
for the next year but tragedy struck the following year. In April 1965 they had
a long-term engagement at the newly opened Blackpool Locarno Ballroom but under
the name of David Ede and his Orchestra. On 25 June it was reported that David
was missing at sea after a 14-foot dinghy capsized in choppy waters off
Blackpool. Also on board was singer Michael Taylor who managed to swim ashore
and raised the alarm; twelve hours later David’s body washed ashore. A month
later the coroner’s verdict recorded “misadventure”. The band continued to
perform at the Locarno under the leadership of trumpeter and deputy bandleader Terry
Reaney, eventually becoming the Terry Reaney Showband and playing at the
Locarno until 1970.
Members of
the Rabin family have show business connections. Of Oscar’s four children two
sons, Ivor and David, were in the music agency business near Cambridge Circus
and both then joined the Mecca Agency after a merger, David as MD and Ivor as
Assistant MD along with Phil Tate. Another son, Bernard, also became an agent
and managed the band following his father’s death, he also managed the
Wimbledon Palais. Bernard’s son Michael
performed as Mike Rabin and the Demons in the late 1960s/early 1970. Meanwhile
David’s daughter Rachel (stagename RAIGN) is a singer, songwriter and producer
who came to fame after appearing on The X
Factor in 2014.
(1) Quoted
in Western Daily Press 11.11.40
(2) Harry’s
daughter Beryl was a singer with the Oscar Rabin Band and she was married to
Peter Potter who would devise and chair the US version of Jukebox Jury
(3) Jerome Kern’s Dancing
Time had been Rabin’s signature tune since 1935
(4) Other singers performing with The Rabin Band, though not
on any radio broadcasts, included Mike Redway and Bernard Manning
(5) Henebery also worked on Saturday Club and produced BBC2’s seminal Jazz 625 series
(6) Monday 13 February 1961 from 1300 to 1345 on the BBC
Light Programme
(7) By coincidence there was a singer called Annabelle Lee
who toured with the Oscar Rabin Band in the 1940s and in the 1950s sang with
the Fraser Hayes Four
This is the first in a short series of posts marking the launch of the BBC Light Programme 80 years ago.