I see that
tonight's Top of the Pops repeat on
BBC Four plays out with Taffy's I Love My
Radio (Midnight Radio). This generous slab of Italo disco was the work of the
renowned Italian producer Claudio Cecchetto. The repeated chorus of "I
love my radio, my midnight radio", sung by Deptford-born Katherine Quaye,
aka Taffy, would guarantee radio play
and the flip side of the 12" even included nine radio jingles.
First
released in 1985 it eventually charted in the UK in February 1987, reaching
number 6. The UK version was remixed as I
Love My Radio (Dee Jay's Radio) because, as the Wikipedia entry rather prosaically
explains: "as very few radio stations in the UK broadcast after midnight
in the 1980s, this reference in the record was changed." Nonetheless the
cover credits numerous European, mainly Italian, radio stations as well as a few UK ones including
Capital, Piccadilly, Clyde, City, Chiltern and London.
In the battle for breakfast radio listeners (it seems almost
obligatory to use the alliterative battle for breakfast beloved of headline
writers) many of the major protagonists have moved on in the last few months.
Christian O'Connell out at Absolute for new adventures down under. Greg in for
Grimmy at Radio 1. Emma Bunton leaving Heart London. Shaun Keaveny making his
#BreakfastExit at 6 Music. Over at Kiss Rickie, Melvin and Charlie are moving
on to Radio 1. Meanwhile Bauer's new Greatest Hits Radio, replacing the City 2
brand this month, sees Simon Ross at breakfast across England. But of course
the biggest headlines were reserved for Radio 2's news that Chris Evans was
leaving'Europe's most popular radio
programme' for a new chapter at Virgin and that Zoe Ball was to become the
station's first regular female breakfast show DJ.
When Zoe starts next Monday she'll only be the station's
sixth breakfast show presenter in over 40 years, a statistic that does, of course,
includes the 28 years in which Sir Terry was at the helm. I thought I'd take
this changing of the guard as an opportunity to look at Radio 2's breakfast
shows over its 50+ year history.
In fact we have to trace the history we have to go back a
little further, back to the 1940s.
Early morning sequences of gramophone records first appeared
on BBC radio during the Second World War as a way of kick starting a war-weary
nation and there were also short sessions of calisthenics billed as Up in the Morning Early with exercises
for men and for woman complete with piano accompaniment.
Radio Times 16 January 1964 with Morning Music offering
a "pleasant background of melodic gaiety"
Programmes titled Bright
and Early and the self-explanatory Morning
Music ran on the Home Service and the Light Programme from the mid-40s to
the early-60s mostly featuring various in-house orchestras as well as other
light orchestras and musical combos. Announcers were on hand to introduce the
programme but were little heard apart from the occasional time-check
Recordings of some of these shows can be found on the
Masters of Melody website. Listening to them you get the clear impression that
the BBC wanted nothing raucous. It was all very civilised and designed to
gently wake up the country and get them off to work or start the housework just
in time to catch Housewives' Choice.
The big impetus for change was the arrival of offshore
pirate radio in 1964 and the gradual shift towards personality-driven radio.
The BBC responded in August 1964 with a named announcer assigned to each
edition of Morning Musicand the introduction of a record show Family Fare at 8 a.m. As well as
the recorded sessions listeners were promised the excitement of "some
records."
The Breakfast Special team in 1965
In October 1965 these different morning programmes were all
lumped together in one show, known as Breakfast
Special, that ran from 5.30 a.m. to 8.30 a.m. Needletime restriction meant
that the bulk of the music was provided by orchestras and groups with the
addition of singing groups plus some discs. More chat between items was
allowed, even if some listeners didn't appreciate the wisecracks (see below) from
the programme presenters who were drawn from the rota of continuity announcers.
Even with the introduction of Breakfast Special the notions of personality radio, familiar voices
heard day in and day out, and of building a loyal audience were ones that the BBC either avoided or just
weren't bothered about. Eventually, by the time Radio 2 came on the scene in
1967, the team of announcers presenting the show was whittled down to a core of
John Dunn, Paul Hollingdale, Peter Latham and, on Saturday morning, Bruce
Wyndham. They were supplemented by Ray Moore following the launch of Radio 2.
Meanwhile over on 'swinging' Radio 1 Tony Blackburn was pulling in large and
appreciative audience for his lively new breakfast show. The difference was
quite marked as these recordings of Breakfast
Special in 1970 with Paul Hollingdale (and a little bit of Ray Moore) show.
The producers of Breakfast
Special eventually cottoned on to the fact that listeners loved hearing the
same voice everyday and that the show would become part of their daily routine.
By the early 70s Ray Moore and John Dunn would take care of the programme for
weeks at a time. This was years before the zoo format so Breakfast Special duties not only included presenting the three and
a half hour show but reading the news (at least initially, later an additional
announcer was drafted in to read the news and sports bulletin) and travel
bulletins too, only throwing over to the likes of Vick Walters at the London
Weather Centre for the forecast.
The next big shake-up was in 1972 when Head of Music Mark
White asked Terry Wogan to move from Radio 1's afternoon show to Radio 2's
breakfast show. Mark was the man who had given the OK to Terry's audition tape
back in 1966 and his first shows on the Light Programme. By 1972 the plan was
to drop Breakfast Special and split
it into two: opening the day with The
Early Show hosted by a staff announcer (initially a number of them for a
few weeks at a time and then from 1974 Simon Bates and from 1976 Colin Berry)
and then Terry with a breakfast show.
Terry recalls that "I was not to everyone's taste,
though, over the wheatybangs. John Dunn had been the previous incumbent.
Soft-spoken, urbane, with impeccable diction and manners, he was a perfect
English gent; who was this Irish gobdaw, with his ridiculous exercises,
upsetting the British Breakfast?"
Those "exercises" were the Fight the Flab feature he'd started on the afternoon show, shades
of Up in the Morning Early. Another
feature was to follow the morning racing bulletin with what became known as
Wogan's Winner though the "nags I back rarely trouble the judge."
Over 12 years Terry developed a rapport with his audience that had probably not
been seen before, letters, poems and comic song lyrics poured in. Fun was to be
made at the expense of BBC management and their bizarre Broadcasting House
rooftop rituals and what was on the telly, especially US soap Dallas. There was the Floral Dance, son of Fight the Flab, Hello Chunky and pre-show chats with Jimmy Young.
Here's an early example of Terry's show from April 1973.
All this ended in
December 1984 when Terry stepped down from the breakfast show to prepare for
the new thrice-weekly BBC1 chat show Wogan.
Here's how Terry signed off.
Terry's replacement was a little unexpected, not least by
the man himself. Ken Bruce had been working on Radio 2 for a couple of years covering
the Early Show and presenting a
Saturday late-night show when he got the call from controller Bryant Marriott. Initially
unsure, "I was taking over from an icon", he accepted the gig. Others
in the frame were his mate Ray Moore and David Hamilton.
Ken Bruce in 1985. "You won't be getting Wogan
with a Scottish accent"
Starting on 7 January 1985 the show times were rejigged with
a later start time of 8am, an odd decision for a breakfast show (in fact a long
8 a.m. bulletin meant that Ken didn't actually start the show until 8.07 a.m.),
and ending at 10.30 a.m. in time for the JY prog. The new programme was pretty
much music all the way with Radio 2 management reluctant to countenance many
other programme elements. Ken recalls that a request to have a selection of
newspapers in the studio to allow more current and informative subject matter
was turned down "because Gloria Hunniford sometimes reads out snippets on
her show". Perhaps the budget was spent on the lyric competition which
offered winners a Ken Bruce eggcup!
Here's Ken in action on 14 November 1985.
The next presenter was something of a left-field choice for
Radio 2, that of former Fleet Street editor Derek Jameson. The head of music
Frances Line was convinced that Ken was more suited to a mid-morning slot,
which is indeed where he ended up and has been ever since, and she seemed to be
instrumental in bringing Jameson into the fold.
Derek Jameson interviewed for the Radio Times w/c 5 April 1986
The reasons for Jameson's appointment stem back to March 1980 and a sketch on Radio
4's Week Ending in which Jameson was
described as "an East End boy made bad", who thought that
"erudite was a type of glue". He didn't see the funny side of this
and took legal action against the BBC. It took four years to come to court and
in February 1984 Jameson lost the case and had to pay legal fees of £75,000.
Apparently as a goodwill gesture the Corporation started to offer him work such
as the BBC2 show Do They Mean Us? and
a regular slot on Radio 4's The Colour
Supplement. In November 1985 he was asked to cover for Jimmy Young for a
week and provoked such a favourable reaction that he was offered the breakfast
show.
Here's the first half hour of Derek's first show.
If listeners had got used to Terry's whimsy and blarney
followed by Ken's chuminess and dry humour then they were in for something of a
shock with Derek Jameson. Now it was a gruff "mornin', mornin', Jameson 'ere!"
and a show peppered with news items and interviews, though not with "the
obvious bigwigs. I shall be talking to people who've got a story to tell."
The BBC seemingly now had that newspaper budget.
Radio 2 listeners are (mainly) not a happy lot.
Letters to the Radio Times 3 May 1986
Reaction was mixed with letters to the Radio Times going from "raucous, uncouth ...indulging in news
trivia and telephone conversations of toe-curling banality" to "a
lovely man, full of merry quips and sideswipes at the way things are, is a real
tonic."
This clip comes from 18 October 1989.
Programmes from the self-styled 'bunker' saw a step up
personnel, both on-air and behind the scenes with former Radio 2 newsreader
Vivien Stuart joining Derek as 'weatherwoman' and two (later three) producers,
initially Brian Stephens and Anthony Cherry, plus a researcher, with another
former Radio 2 newsreader Ruth Cubbin working on the show for the first year or
so. There were a number of OBs including this pre-Christmas edition from
Gatwick airport on 21 December 1990.
Amazingly Derek Jameson's tenure at breakfast lasted six
years - his last show was on 20 December 1991 - before he was shunted off to a
four nights a week late-night show with his missus. There were, according to
Ken Bruce, two schools of thought on this move. One that Derek and Ellen would
make a "quirky on-air team" and would be a way of diversifying
production bases as it was to come from the Glasgow studios. Theory two was
that they offered him a package "so insulting he would resign" due to
the move north, the reduction in hours and the splitting of the fee.
Nonetheless. they bought a flat in Glasgow as a base and the late-night The Jamesons ran for five years.
Libby Purves speaks to Brian Hayes.
Radio Times w/c 4 January 1992
Next up was Brian Hayes, at the time best known to listeners
in London for his long-running LBC phone ins and acerbic style. Brian had been
introduced to national BBC listeners in 1991 covering for Jimmy Young
(something he'd do almost a decade later when Jim was unwell prior to his
'retirement') and as a guest interviewer on Radio 4's Midweek.This is the start
of Brian's first Radio 2 breakfast show on 6 January 1992 which promised
"more music and less speech" and adopted the title Good Morning UK.
The attempts at mixing news elements and music seemed, at
first. a little half-hearted and missed some of the verbal jousting with
callers and guests that Brian had built his reputation on at LBC. Whilst the
shows did pick up during the year behind the scenes Terry Wogan was itching to
get back to radio , his TV chat show having ended and replaced by the ill-fated
Eldorado. As a result Brian's tenure
was short lived and ended in the December. By way of consolation he was given a
weekly phone-in on the station, Hayes
Over Britain that ran for four years and later he appeared on Radio 5 live
with a weekend breakfast show and other programmes until 2006.
And so it was that Terry returned to the breakfast show in
January 1993 "my heaven it's good to be back....he lied". Here's how
he sounded on day one.
For the next 16 years Terry was at the top of his game. The
show developed from giving away alarm clocks (WUTWACs), to the near the knuckle
Janet and John stories, the faithful band of TOGs, studio support from Dr Wally
and then 'Barrowlands' Boyd, a coterie of newsreaders whose lives, real and
imagined were woven into the show.
I've uploaded just over 20 of Terry's shows (many as podcast
versions) on YouTube and there are more than a dozen on Mixcloud from myself
and other users. The latest upload from me is this complete show from 28
November 2006.
Although Terry's position at breakfast was unassailable
Radio 2 management were thinking about the inevitable day when he'd step aside
as far back as 2005 when Chris Evans was bought into the BBC fold. Initially
with a Saturday afternoon show, in 2006 he was offered drivetime by Lesley
Douglas (the then Controller) and told, according to Evans, "if and when
it [breakfast] becomes available, and if you've behaved yourself and things
have gone alright on drivetime - who know?"
Sir Terry bows out (for a second time). Radio Times w/c 12 December 2009
Wogan later intimated that he would leave the show at the
end of 2008 but when the so-called Sachsgate episode erupted he was asked to
stay on a help 'steady the ship' for a little while. In the event Terry
remained for another year and made bade an emotional farewell on 18 December
2009. It was the end of an era.
It was inevitable that when Chris Evans took over the
breakfast show many listeners would miss the calm, collected tones of Sir Terry
and that Evans approach was just too shouty. In an attempt smooth the transition
for TOGs that tuned in, Chris started the first show with The Beatles and Frank
Sinatra,assuring listeners that there'd
be no "turbulence" and re-introducing Moira Stuart back to the
station as the programme's newsreader - she'd read the news and presented
overnight shows on Radio 2 back in the early 80s. Also as part of the on air
team was travel reporter Lynn Bowles, who'd been such a major part of Terry's
shows, and coming over from drivetime Jonny Saunders with the sports news.
Fears that Radio 2's listeners would drain away proved
unfounded but there's no doubt some of Terry's old listeners did tune-in
elsewhere on the dial. The show slowly evolved with more studio guests,
including the Friday editions packed with live music, 500 Words, CarFest and
the continued support for Terry's beloved Children
in Need. Sadly a tendency to trample all over the music didn't change.
This was Chris's first show.
2018 proved to be a difficult year for Radio 2 with the
turmoil over the drivetime show which led to the departure of once of its best
broadcasters, Simon Mayo and the shock announcement from Chris Evans that he
was leaving to (re)join Virgin Radio. "I crave the uncertainty" he
would say on his final show. There was much speculation as to his replacement
with money going on Sara Cox (once described back in 1999 as "the next Zoe
Ball") who did such sterling work when depping on the show. But instead
Radio 2 plundered yet another of the Radio 1 breakfast show alumni, Zoe Ball.
This is Chris's last breakfast show as broadcast on 24
December.
Zoe Ball's association with Radio 2 started in earnest in
2009 when she covered for Ken Bruce (although she'd first appeared briefly in
2006) and presented a Saturday early show between 2009 and 2012. She was back in
2017 with a Saturday afternoon show that ended just before Christmas.
In 1997 Zoe was employed on Radio 1's breakfast show to fall
out of the clubs and into the studio, "blonde, bouncy but also
ballsy" according to one headline of the time. Now her role for Radio 2 is
critical: holding on to that large inherited audience and being the cornerstone
of a new schedule that has, in part, been forced on the station and is, in
part, self-inflicted. And in a neat bit of serendipity the 'battle for
breakfast' mirrors the 1997 face-off between Zoe at the Beeb and Chris at
Virgin. Fascinating times for radio.