Famously it was Winston Churchill who, speaking in
1939,said of Russia that "it is a
riddle wrapped in a mystery inside an enigma".
By 1988 it was becoming less of an enigma as Gorbachev was
extolling the virtues of glasnost in a period of rapid change in what proved to
be the dying days of the Soviet Union. In this Radio 4 documentary Erik de
Mauny, the BBC's first Moscow correspondent, returned to the country to reflect
on the changes in the intervening years since he first reported on Wynne-Penkovsky
trial in May 1963. And there's a hint of the seismic events that are just
around the corner as he talks about "repressed nationalist sentiments."
Joining Erik (pictured above) on Inside
the Enigma are a number of former BBC Moscow correspondents: Dennis
Blakely, Daniel Counihan, Philip Short, Kevin Ruane, John Osman and Peter Ruff
as well as the then-current incumbents Jeremy Harris, the radio correspondent
and Brian Hanrahan who reported for BBC TV.
Inside the Enigma
was first broadcast on Thursday 28 April 1988 and was produced by Harry
Schneider.
The epitome of US top 40 radio in the 1960s must surely be
the deep, fast-talking voice of Dan Ingram and those fabulous PAMS jingles
where every link reinforces the station brand. "It's 20 WABC minutes to 7".
Cue jingle "Dan Ingram."
It was a style and pace that must have influenced a generation
of US jocks and even permeated to Britain via the offshore pirates who were
encouraged to listen to tapes of those WABC airchecks.
Dan Ingram's radio career had started in 1958 but his
greatest on-air reign was at WABC beaming out across the eastern seaboard from
the studios in New York City from 1961 to 1982 alongside other legendary voices
like Ron Lundy, Cousin Brucie and Harry Harrison. When the station flipped formats
to talk radio he would eventually find a new audience at WCBS-FM until his retirement
in 2003. The news of Big Dan's death was announced this week.
Thankfully there are dozens of recordings of Dan online but
here's a scoped aircheck I have from late 1976 with his show punctuated by JAM
shotguns.
JAM Creative Production head and lifelong Dan Ingram fan Jon
Wolfert wrote this tribute.
I grew up hearing this man's radio show on WABC New York in
the 60s. He influenced everything from my love of radio to my sense of humor.
There were many days when listening to him after school was the best thing that
happened. Fortunately, in later years I got the opportunity to tell him so and
thank him.
At JAM we sang his name in jingles many times. He narrated
several of our demo tapes. We even worked together on a syndicated radio show
for a while in the 80s.
'Big Dan' was simply the best top-40 DJ of all time. He
influenced countless people in our industry, and touched millions of listeners.
His ratings in the afternoon are legendary. I'm sure you will find tributes all
over the web today that will explain the details, and they are well deserved.
There will never be another with his wit, timing, and feel for the medium.. Dan
Ingram was truly one of a kind. Our condolences to his family.
Bye now, Kemosabe. And thanks again.
You can read and hear more about Dan on the musicradio77website. Allen Sniffen presented a tribute programme yesterday and there's also
a 6-hour Rewound Radio special from 2016. This coming weekend Rewound Radio
will feature a selection of Dan's show at WABC and WCBS-FM.
When BBC Radio Leeds burst onto the scene fifty years ago
this month the small team of broadcasters were determined to make an impact: from
talking budgerigars, the Only BBC Programme That Money Can Buy, the World
Tune-gargling Contest and Bring a Disc. But amongst the funny and the frivolous
was a commitment to collect and broadcast their own news, at the time a
decision that went against the grain of the existing BBC experimental local
radios. The man who successfully got the
backing from the BBC bigwigs in London was the first station manager Phil Sidey.
Sidey had first broadcast with the British Forces Network (BFN)
in Klagenfurt, Germany before working in a number of journalistic posts
including a spell with AP. He joined the BBC in 1956 as a sub-editor for
External Services news and moved to television news in 1964 where his roles
included news producer on Twenty-Four Hours.
At the time of his appointment as manager at Radio Leeds the local radio
system, which had just started to roll-out the previous November, was that
local news was to be sourced from newspapers and news agencies in the area.
Sidey convinced Frank Gillard, then Director of Sound Broadcasting, and others
that he "wanted to collect my own news in Leeds and construct my own
bulletins, mixing the local with national and international news," a
scenario which is now, of course, the norm.
His news team included the Yorkshire Evening Post's Allan Shaw as news editor (who went on to
manage Radio Teesside in 1970 and then Radio Manchester from 1975), Jim Brady
as sports editor, Derek Woodcock (later station manager at BBC Radio Newcastle
and then BBC Radio Bristol), Geoff Hemingway and Stephen Phillips.
A camera crew from BBC1's Twenty-Four Hours was on hand to capture the opening of the new
station.
As this page from the Radio
Times week commencing 26 April 1969 shows the station pinned its news
credentials to the mast. "Leeds and the World. New-style bulletins of
international, national and local news, and interviews; with direct lines to
Leeds City Police and the West Yorkshire Police Headquartersand live reports from the Radio Car."
Amongst the names in the 1969 schedules are Liz Oyston who
opened the station and worked at Radio Leeds for nearly 20 years, mainly under
her married name Liz Ambler.Experienced
broadcaster Rory O'Dowd was also on air at the launch, he'd worked in New
Zealand radio and TV for years and Diana Stenson moved on to Radio Manchester
in 1970 and later network radio in the city as a producer for Woman's Hour and Gardeners' Question Time.
Joan Elliott, with her programme "for women to interest
the men", was a former local news journalist with the Leicester Mercury and Portsmouth
Evening News. Married for a time to Gerald Nethercot - who went on to be
the BBC's man in the Midlands and the first station manager at BBC Radio
Nottingham - she started to freelance for the BBC and contributed to Sunday Out, for the Midlands Home
Service, Woman's Hour and Today.Moving to the north east she was the woman's editor on the Newcastle Evening Chronicle and began to
appear on Tyne-Teesand the BBC. When
her then husband Jeffrey Slack moved to Leeds, Joan eventually joined the new
local station. Her show Joan Elliott
Calls came complete with a Delia Derbyshire composed theme tune. A further
move to London meant that Joan would work for BBC Radio London becoming a
senior news editor. On retirement the family moved up to Durham. She died in
1999 aged 81.
One of Radio Leeds' regular broadcasters in the twenty years
or so was organist Arnold Loxam. Bradford-born Loxam had been playing the
theatre organ since the 1930s and made many post-war broadcasts on the Home
Service and Light Programme. Here he's listed presenting Sit Down and Sing recorded at Leeds City Varieties.
Geoff Leonard's radio experience was all behind the scenes.
He'd joined the BBC as a junior engineer in 1941 in the Birmingham control
room, later at 200 Oxford Street, a Studio Manager for the Features department and
attachments to TV presentation, TV news and the BFN as a producer before the
move to Radio Leeds as a production assistant and then engineer. Geoff moved
south again to BBC Radio Medway until his retirement in 1980. He died in 2004.
Listed under Leeds on
a Sunday is a young Phil Hayton who'd cut his broadcasting teeth on pirate
Radio 270 and in the early 70s went off to Look
North and then BBC News in London as a reporter and newsreader. His
co-presenter Dave Williams was also an ex-pirate as a newsreader on Radio
Caroline North.
Angus Turner, presenter of Sounds Interesting, had worked for the BBC in the Leeds regional
office on Woodhouse Lane. Journalist Michael McGowan was, from 1984 to 1999,
the MEP for Leeds. Second engineer Bill Holt was also afolk artist and is here listed as producer of
Country and Folk. His engineering
colleague John Orson also appeared on air presenting Sweet and Low, he went on to be chief engineer at Pennine Radio. Robin
Worman later joined Radio Solent and was the first voice on air when it
launched in 1970.
Not listed here but working at the station in 1969 was Gerald
Jackson who moved over the Pennines in 1971 to help launch BBC Radio Blackburn
(now BBC Radio Lancashire) where he remains to this day.
The prize for the best title must surely go to Hoof Beat the Friday evening programme
on horses and show jumping.
As for Phil Sidey he went back to television in 1970 first
as an assistant editor on Nationwide
and then as Head of Network Production for the BBC in Birmingham. In 1994 he
wrote a superb insight into the early days of BBC local radio called Hello, Mrs Butterfield..., grab a copy
if you can. He died the following year.
Page from the 1978 booklet Serving Neighbourhood and Nation
When Radio Leeds launched on Monday 24 June 1968 its studios
were in that testament to sixties concrete brutalist architecture the Merrion
Centre; later they moved to Woodhouse Lane and then in 2004 to St Peter's
Square. This wasn't the first time that the city had been the home of a local
radio service. From 1924 until the early 1930s BBC operated the Leeds-Bradford
relay station (initially called 2LS) which carried the programmes of 2ZY in Manchester,
and later the Regional Programme, but
with occasional local input. The studios were on Basinghall Street before a
move to Woodhouse Lane in 1933 on the site of an old Quaker Meeting House. This
would remain the main Yorkshire outpost of the BBC for the next seventy years
and for a while in the 50s and 60s had a strong drama production base for the
radio network under the direction of producer Alfred Bradley.
1968 was a good year for broadcasting in Leeds. In March the
BBC TV regional news magazine from Manchester, Look North, split and a Leeds-based alternative east of the
Pennines was launched with Barry Chambers, David Seymour, James Hogg, John
Burns and David Haigh. Meanwhile a month after BBC Radio Leeds came on air down
at Kirkstall Road Yorkshire Television opened.
A couple of years after launch (for the week commencing 21
August 1971) the Radio Leeds schedule looked like this.
On Saturday John Helm is listed as the sports editor. John,
of course, went on to work for Sport on 2
and then ITV as a football commentator. Co-presenting Sweet and Low is Nigel Fell. Nigel had made his radio debut sending
in taped shows under the name John Martin to the pirate station Radio City. He
joined Radio Leeds in 1969, staying with the station for 30 years.
For the week commencing 29 March 1980 Radio Leeds had this
line-up.
On Radio Leeds AM
is former teacher John Hendry, later a freelance actor and now a spiritual
healer. Alongside Liz Ambler on West Riding is Dave Hodgson, most
recently associated with Kirklees Local Television, as is Barrie Davenport,
listed here as a producer on Concert
Pitch and Just Jazz (later he
presented Great Northern Brass). Simon Says presenter was Simon Peters who
was also a matchday announcer at Elland Road in the 70s and 80s. Simon's
co-presenter was Claire Hansbro, later on BBC Radio Sheffield as Claire
Kavanagh.
Note that Sports of
Good Friday lists Yorkshire broadcasting legend Harry Graton (sic) as one
of its presenters.
Finally this schedule dates from week commencing 16 December
1989, and there are some very familiar names here amongst them Alvin Blossom,
Peter Levy who now woos viewers to Look
North from Hull and Miles Harrison who moved onto BBC sport, ITV and is now
Sky's rugby union commentator.
Ex-Pennine jock Tony Fisher was on breakfast show duty. He's
had an extensive radio career, moving on from Radio Leeds to Radios Cleveland,
Newcastle, Minster FM, Century, Kiss 105, Galaxy 105, Invicta, Wyvern, Southern
Counties, Hereford and Worcester and currently appearing on BBC Essex. On
mid-mornings was ex-Radio Aire's Jon Hammond. The lunchtime DJ is Ian Timms who
then went to BBC Radio Devon and is currently on BBC Radio Cumbria.
Two presenters are still on air at Leeds: Gary Copley
playing big band and swing music and Tim Crowther who's looked after the Sunday
morning gardening slot for over two decades, first with the late Joe Maiden and now with Graham Porter.
BBC Radio Leeds is celebrating its 50th birthday this
weekend with a Sunday afternoon special narrated by Tim Daley followed throughout the week by a
number of special shows from a pop-up studio in the Merrion Centre.
Listeners in far-flung corners of the globe tuning in their
short-wave radio sets to the World Service 30 or 40 years ago would, no doubt,
if asked to name a voice who represented the BBC, who was the authoritative
voice of Britain, have suggested Paddy Feeny. For 36 years on Saturday
afternoons he guided overseas listeners through the myriad of sporting events
and fixtures on Saturday Special.
“It’s a combination of timing, co-ordination, understanding the subject and a
pinch of telepathy" he explained in 1993 just two years before he stood down.
1978 heat of Young Scientist of the Year. The full programme can be found on YouTube
To listeners and viewers at home, however, Paddy's talents
as a presenter were aimed at a younger audience; from question master on the
inter-school quiz Top of the Form,
narrating programmes for schools, presenter ofYoung Scientist of the Year,
and in the process making a unlikely TV star out of boffin Professor Heinz
Wolff, to spinning the discs on Junior
Choice.
Paddy was born in Liverpool in 1931 and educated at
Ampleforth College in North Yorkshire. "From the age of five onwards I
knew I wanted to do some kind of job in the entertainment business." His
first job was as a film projectionist and he progressed to stage electrician,
stage manager and "an extremely bad actor" Having
passed a BBC audition his first broadcast was in theradio play Duel of Honour for the BBC in Birmingham in 1952 where, he later
recalled, his first line was one that years later he still did not understand:
"You mean thatyou admit that
Dujarier was one of your seconds."
A typically jokey biog for Paddy from London Calling April 1981
After a spell in repertory he joined the BBC's European
Services as a studio manager. By a stroke of good luck the sports producer was
looking for someone to present the summer sports coverage, step forward an
enthusiastic Paddy Feeny. On 9 May 1959 from studio C21 in Bush House he first
presented what turned out to be a regular gig for the next 36 years. Eventually
Saturday Special extended its hours
and became a year round fixture in the schedules rather than just a summer event. The World
Service employed its own sports team but also shared coverage with the domestic
sports programmes on the Sports Service
(later Sport on 2 and Sport on 5) with commentators regularly
welcoming "listeners to the BBC World Service."Here's Paddy in action on 9 April 1988.
As early as 1963 Paddy began his association with Top of the Form, initially alongside
Geoffrey Wheeler for three years on the BBC TV version (1963-66) and then a
longer run on the radio version between 1978 and 1985, sharing duties with Tim
Gudgin. This edition of Top of the Form dates
from 28 October 1980 and features a contest between Hessle High School and Hornsea
School and Institute of Further Education.
Records Round the World was a long-running BBC World Service show.
In 1966 and 1967 Paddy co-presented with Judith Chalmers and Maggie Clews
with the show also heard on Wednesday lunchtimes on the BBC
Light Programme
On domestic radio Paddy occasionally presented Children's Favourites and looked after
its successor Junior Choice between
Leslie Crowther and Ed Stewart (1967-68). He teamed up with Judith Chalmers for
Records Round the World (1966-67) a weekly
World Service/Light Programme simulcast. Together with Tim Gudgin and Bob Holness he
introduced the Home Service regional opt-out news bulletin South-East (1967). Further radio appearances for the junior end of
the listenership included various schools programmes, the Saturday afternoon
compendium 4th Dimensionand the Radio 2 natural history quiz Give Us a Conch (1984-85).
Recording the Radio 4 schools programme Springboard (1969-73)
On BBC TV Paddy was best known for Young Scientist of the Year (1966-78 initially billed as Science Fair), a series that must have
spurred many a budding scientist to experiment in the school science lab.
When all this other work fell away Paddy maintained his position
at the helm of Saturday Special until
his final show on 24 June 1995. He also appeared on the World Service series At Home with... (1984), the sports quiz Game, Set and Match (1993-95) and the station's
Feedback equivalent Write On (1987-96). Here's an edition of Write On from January 1996.
“In over 40 years of broadcasting, I have kept to one
maxim,” Feeny explained, “that I am involved in a relationship with one person,
not millions. I want the listeners to relate to me as a friend.”
Who
presented the first British chart show on the radio? Before you all shout out
Alan Freeman or David Jacobs, I'm talking about the late 1940s and a certain DJ
on Radio Luxembourg.
Teddy
Johnson is perhaps best remembered - for those with long enough memories - as
the one half of the husband and wife singing duo ' Pearl Carr and Teddy
Johnson'. At the height of their fame in the 1950s they made regular
appearances on TV and radio and, in 1959, represented the UK in the Eurovision
Song Contest with that annoyingly catchy little ditty, Sing Little Birdie.
By the time
Teddy made his first UK broadcast in 1944, singing with Jack Payne and his
Orchestra, he'd already been performing for ten years as a drummer and vocalist
with assorted dance bands. After the war he decided to go freelance and chance
his arm as a singer/comedian. On the recommendation of a friend it was
suggested he contact Frank Lee, at the time Head of the English Service of
Radio Luxembourg at their London offices in Davis Street. Teddy was told to
report to the IBC studios for a voice test and that same afternoon received a
phone call asking if he'd like to take a trip over to the Grand Duchy and have
a try-out. He was on-air the following weekend, playing mostly Geraldo records
alongside station boss Geoffrey Everitt. He was immediately given a full-time
job - starting on 20 May 1948 - broadcasting each night of the week, apart from
Friday, and on Sunday afternoons with Everitt.
The scarcity
of announcers at the post-war station (aside from the pre-recorded programmes
shipped over from London) meant that Teddy was forced to appear under more than
one name; an approach also adopted by Pete Murray (one wonders if listeners
were really fooled by this) at a time when the station's schedule was packed
with 15 or 30 minute shows. So his first programmes might be something like Topical Half Hour introduced by Teddy
Johnson followed by the famous Luxembourg gong and then back on Music for Everyone with E. Victor
Johnson and later Irish Half Hour
with Edward V Johnson.
Around late
1948 or early 1949, no-one is exactly sure when, Geoffrey Everitt came up with
the idea of a weekly Sunday night programme playing music based on the sales of
sheet music. The rundown was in reverse order, from twenty to one. As it was
likely that the same song could've been recorded by more than one artist they
had alternative versions to play. These early shows established a format that
exists to this day, one picked up by the BBC, as Pick of the Pops in 1955.
Teddy's stay
at Luxembourg was brief, he left the station in 1950 as he was itching to get
back to singing, releasing records such as Beloved
Be Faithful and Tennessee Waltz.
As a performer he regularly appeared on BBC radio in the early 50s on shows
such as Stanley Black's Black Magic
singing alongside Pearl Carr - they met for the first time whilst recording
this show and married in 1955 - and Diana Coupland (long before her Bless This House days).
He was back
DJ-ing in 1951 on Housewives' Choice.
The whole show had to be scripted and Teddy worked on it to ensure that it
maintained the conversational style he'd adopted in the Grand Duchy. However,
part-way through theweek was out he was
summoned into a meeting in which his script was excised of "everything in
them which was me." After his Saturday show he was told that they hadn't
liked what he'd done. It was eleven years before he was back in Broadcasting House.
Despite the
lack of faith from Anna Instone, the head of the Gramophone Department, Teddy
continued to broadcast as a band singer for both the Home Service and Light
Programme on Sweet Music, Melody from the Stars, Variety Bandbox, Showtime, Variety Matinee
and Worker's Playtime.
Teddy & Pearl billed as guest stars on Winifred Atwell's
ITV show on 19 May 1956
The diary
was also filling up with TV appearances; Teddy's first programme for the BBC
was in 1953 - again singing with Pearl - and they were both regulars on Crackerjack (1957-60), The Ted Ray Show (1958-59). Over on the
new commercial channel Teddy and Pearl appeared with the ivory-tinkling
Winifred Atwell (1956) and later on The
Arthur Haynes Show (1960) whilst Teddy was the host of ATV'sMusic
Shop (1958-60).
That
Eurovision hit Sing Little Birdie
came in March 1959 after an exuberant performance at the contest in Cannes
secured them a second place. They were also in the running the following year
when they took part in the heats but in the event it was Teddy's brother Bryan
who represented the UK with Looking High,
High, High - it also came second.
Let's Face the Music - a Light Programme series
promoted by this Radio Times article 28 October 1965
Even though
Teddy was no longer on the staff at Radio Luxembourg he continued to record
programmes for the station: Tune Into
Teddy, The Winifred Atwell Show
and Meet Mr and Mrs Music in the
mid-50s and appearing with Pearl in the 60s on The Postal Bingo Show. Meanwhile by 1962 he was back in favour with
the BBC with another stint on Housewives'
Choice, regular guest appearances (with Pearl) on Benny Hill Time and Harry
Worth as well as their own star vehicle Let's
Face the Music. Teddy also had
acting roles in a number of series
penned by the Scottish thriller writer Edward Boyd. Steve Gardner Investigates, the story of a singer turned private
eye was heard only by listeners to the Scottish Home Service in the 1950s but
later series were broadcastnationwide
on the Home Service and then Radio 4: The
Candle of Darkness (1967), Enough
Fingers to Make a Hand (1968) and The
Wolf Far Hence (1971). The Candle of Darkness is being repeated on BBC Radio 4 Extra this week.
By the early
1970s Teddy was a regular in The Ken Dodd
Show and, for eighteen months from October 1972, became the afternoon DJ on
BBC Radio 2. Even when that stint finished in March 1974 he presented plenty of
other programmes for the station: The
Song Stylists (1973-4) and The Vocal
Touch (1974), both written by former record producer Ken Barnes, The All-Time Hit Parade (1975-6) with
singers Rosemary Squires and Nick Curtis and introducing the big bad sounds of Syd Lawrence and his Orchestra (1976).
He was back spinning the discs and reading the dedications on a Saturday
mid-morning show between October and December 1977.
Pictured in the Radio Times for Teddy Johnson's 78 Show
15 April 1988
During the
1980s and early 1990s Teddy's radio appearances were mainly deputising for
holidaying DJs: David Jacobs, Ken Bruce, Desmond Carrington and Alan Dell,
though there were two music nostalgia series, The Music Goes Round and Round at 78rpm (1987) and Teddy Johnson's 78 Show (1988). Teddy's
broadcasting voice was warm and relaxed as evidenced by this clip from Radio
2's Sunday afternoon show Sounds Easy
from 1992.
Even when
Teddy's recording career dried up in the early 1960s, his light crooning style
was out of fashion, both he and Pearl continued performing in variety, panto
and musicals until well into the 1980s. Teddy was last heard on the radio in
2011 as a guest of Desmond Carrington in his series Icons of the 50s. Here are extracts of those interviews.
In 2016 David Lloyd spoke to Teddy (and Pearl) - audio posted here on Audioboom.
Teddy and
Pearl lived out their latter years at Brinsworth House, the
retirement home run by the Royal Variety Charity. Teddy's death was announced
this week.
June 1938 and Action Comics publishes the first ever
Superman cartoon strip. June 1988 and Superman stands on trail accused of
crimes against humanity. Prosecuting is his arch nemesis Lex Luthor. Defending
the super hero is one Lois Lane. Witnesses from the comic world and the real
world are called into court including the late Adam West.
This was the premise of the Radio 4 drama documentary Superman on Trial that aired thirty
years ago to mark the golden anniversary of the man of steel. Written and
directed by Dirk Maggs it was first broadcast in a 45 minute slot but was
eventually extended and remixed for a 2010 CD release.
Superman garnered a Radio
Times cover, though there was a BBC1 documentary that week too, together
with some specially commissioned artwork, shown below.
Superman on Trial
hasn't been repeated since its 1988 broadcasts. First heard on long wave only on
5 June my recording is of the Tuesday 7 June FM evening transmission. It was
given another repeat on Christmas Day 1988. The success of the programme
spurred the BBC to commission Dirk Maggs to write a full-blown adventure series
in 1990 (5 episodes) and in 1991 (10 episodes).
Over to station WGBS from Galaxy Communications in
Metropolis.