Loudly proclaim with one accord

 

The sound of church bells ringing out on Christmas morning was part of the radio landscape (on BBC national radio) for just over four decades.  The peal of bells from British churches and cathedrals were featured in a short programme (10 to 20 minutes) on the Home Service and then Radio 4 between 1943 and 1986. For the almost half that time they were introduced by Robert Hudson (commentator mainly for cricket and numerous royal events) but earlier sequences were linked by staff announcers or former staff announcers.

From Christmas Day 1960 comes this recording of Christmas Bells. It’s another tape recorded at the time by Eric Bartington and re-discovered recently in New Zealand by Gerard de Roo. The first minute or so is missing but the bells included here are from Sheffield Cathedral, Ottery St. Mary Parish Church in Devon (pictured above), Parish Church of St. Patrick Ballymena in Co. Antrim, Parish Church of St. Mary Hampton in Middlesex, Birmingham Cathedral, St. Cuthbert's Church Edinburgh, Parish Church of St. Mary Swansea and, as was often the tradition on this broadcasts, the Church of the Nativity in Bethlehem.

Introducing the bells is Stuart Hibberd (above), the former announcer best remembered for some of his important pre-war and wartime announcements. He retired from the BBC in 1951 but continued to present the weekly series The Silver Lining – talks designed to provide “comfort and cheer for all in trouble, sorrow, need, sickness, or any other adversity” – until 1964.       

Church picture credit thanks to Sandra Wright at https://www.otterystmary.info/

Back in Time On the Light – Part 2

Back in August I dipped into the collection of donated recordings made in the early 1960s. It’s time for a second set of BBC Light Programme shows, both of which date from exactly 61 years ago.

First up is another Record Roundabout show with Jack Jackson (pictured above). From this hour long show we get to hear the last third or so. As usual Jack intersperses the tracks with comedy clips. The music on offer this time, none of which troubled the British hit parade, is:

Darn That Dream – Johnny Nash

Copenhagen – a ragtime tune played by Joe ‘Fingers’ Carr

Somebody – Joe Williams

Jersey Bounce – Ray Ellis Orchestra and Chorus

I Found a New Baby – The Trombones Inc.

Bloodshot Eyes – Lorne Lesley

Twelve Days of Christmas – Jerry Fielding Orchestra

The second show from Monday 19 December 1960 is Music for Sweethearts “a late evening setting for romance” with the sound of Eric Jupp at the piano and with his orchestra. This late-night show of lush orchestral music - and based on this evidence arranged to induce you into a deep slumber - ran, at intervals, from June 1957 to December 1961.

Eric Jupp (pictured above left with flautist Don Burrows) had been a staff arranger for Ted Heath and his Music and a long-time member of the Oscar Rabin Band. He was already a familiar name to radio listeners appearing on a number of shows from the mid-50s on including In the Still of the Night, Morning Music, Show Band Serenade, Our Kind of Music, In Show Band Style and Saturday’s Music Album.  

Radio Times billing for the first show
on 23 June 1957

Jupp’s orchestra was featured in Music for Sweethearts until October 1959. The following year he went over to Australia on a short-term contract with the Australian Broadcasting Corporation so that when the series returned in April it was Johnny Pearson conducting. Jupp was back in October 1960 and this recording is his last appearance. In 1961 Jupp made a permanent move to Australia initially working as a music advisor for ABC’s Light Entertainment division in Sydney and then mainly as a film and television composer. His orchestra was featured on the ABC show The Magic of Music (1961-74) but perhaps his greatest musical contribution is a tune seared into the mind of many sixties children that of the theme to Skippy the Bush Kangaroo. He briefly re-appeared on the Light Programme in 1965 in Melody Hour and in 1966 one of his Australian series was re-broadcast by the BBC.

For the final series of Music for Sweethearts (April to December 1961) the music was provided by Eric Cook and his Orchestra. Cook too would also emigrate to Australia in the 1960s.         

Making the introductions is David Gell, who’d presented the show since April 1958. David would host hundreds of programmes for the BBC and Radio Luxembourg as well as being a familiar face on ITV music shows before returning to his native Canada in 1977. 

Music for Sweethearts ran at half-an-hour but this recording is of the first 20 minutes.

These recordings were made by the late Eric Bartington and I extend my thanks to Gerad de Roo who rescued them and passed them to me.    

Sixty Years Ago

22 November 1961. Elvis is number in the UK hit parade with His Latest Flame. Jimmy Dean's Big Bad John tops the Billboard Hot 100. The Biblical epic King of Kings is the latest cinema release. Macmillan's government has implemented a wage freeze and is considering joining the Common Market. JFK is not yet a year into his Presidency and the date two years on would prove fateful. Meanwhile at Hull's Hedon Road Maternity Hospital I was born.

But this is a radio blog. So what, I hear you cry, was on the radio that day? The BBC Programme Index helps fill in the blanks but you can't beat going back to the Radio Times listings.    

My edition of the Radio Times is for the north of England so on the Home Service we only get the first edition of Today with Jack de Manio. Replacing the second post 8 am news edition is Today from the North with John Watmaugh. It's term-time so schools programmes take a chunk out of the daytime hours. Wednesday means Choral Evensong and from 5 pm programmes badged as Junior Time in what was the old Children's Hour timeslot include a drama The Immovable Object produced by long-time Manchester-based producer Trevor Hill. From the current perspective the evening schedule seems a little odd, the Home Service carries the Bizet opera Carmen in four acts, so taking up most of the night. However, the Third Programme has the drama, in this case an adaptation of Un Caso Clinico (A Hospital Case) by Italian playwright Dino Buzzati.

The Light Programme offerings include Housewives' Choice with Kenneth Wolstenholme who was in a for a busy day with tv commentary to follow in the afternoon. Radio commentary on the second half of the England v Ireland international was by Raymond Glendenning and Robert Rosser. Lunchtime music was provided by Bob Miller and the Millermen and guests in Parade of the Pops. We now know how this show sounded thanks to a chance discovery of a recording of the programme from 30 August 1961 in my earlier post Back in Time On the Light - Part 1.   

There are some very familiar titles in the afternoon and early evening including Listen with Mother, Woman's Hour (it would not be until 1973 that it moves to Radio 4), Mrs Dale's Diary and The Archers, as well as the teatime magazine show Roundabout. The evening on the Light moves from the long-forgotten comedy Once Over Lightly, Jimmy Young presenting Younger than Springtime, a Mid-Week Theatre story by Philip Levene who would later script some classic episodes of The Avengers, through to Jack Jackson's Record Roundabout and the BBC West of England Players who bookend this day with appearances on Morning Music and the pre-closedown Late Date.               

Of course it wasn't just the BBC you could tune into to. There were any number of foreign stations, perhaps the AFN, but more than likely it'd be 208 metres for some alternative night time listening on Radio Luxembourg. The schedule for the 22nd can be found in the issue of Disc ("the top record and musical weekly") tracked down online by Mike Barraclough. Essentially its full of lots of very short  pre-recorded sponsored shows with not much clue, at least in this publication, as to who the DJs were

6.00 Record Show

          7.00 Pops at the Piano

7.17 Wednesday's Requests

7.45 Jimmy Young Sings

8.00 Honey Hit Parade

8.15 In the Groove

8.30 Sound of Fury

9.00 Internationalities

9.30 David Jacobs

10.00 Teen and Twenty Club

10.30 Record Show

11.00 Request a Golden Guinea

11.15-11.30 Hits for Six

12.00-12.30 Midnight on Luxembourg 

Meanwhile over on the telly ITV offered us Zoo Time from Whipsnade Zoo, The Adventures of Sir Lancelot, Coronation Street (so some things never change), Rawhide, the musical programme Pop! Vintage '48 and The Blackwell Story,  a drama about America's first woman medical student Elizabeth Blackwell. Over on the BBC it was an afternoon of live football with Kenneth Wolstenholme commentating of the England v Ireland international, The Flowerpot Men, Tales of the Riverbank, Cliff and the team with Tonight, the US series Frontier Circus, Peter Dimmock with Sportsview and the start of a new 6-part drama A Chance of Thunder by Z Cars scriptwriter John Hopkins.    

From the Cenotaph

 

Today marks Remembrance Sunday, the day to commemorate those who gave service during the two world wars and later conflicts. Marking this day on the Sunday after Armistice Day has been part of British life since 1946.

Armistice Day services were first held in 1920 and a year later the Royal British Legion began selling poppies. Early BBC programmes did mark Armistice Day each November 11^th but it wasn’t until 1928 that it was allowed to broadcast coverage of the events at the Cenotaph in London, including the two minutes silence.  An agreement was made with the Home Office when the BBC assured that it could be done by use of underground cables to minimise the risk of “unsightly mechanical apparatus” except for “one microphone which might take the form of a lectern”.  Thus started a broadcasting tradition that means that this is one of the longest-running outside broadcasts on UK radio.

Radio Times billing for the Service of Remembrance in 1956

The Armistice Day coverage continued until 1938, with the 1937 and 1938 ceremonies also filmed by BBC television for broadcast later that day.  It resumed after the Second World War on Sunday 11 November 1945 but the following year the Government decided to mark the event on the second Sunday of November on what was to be called Remembrance Sunday. Setting the scene for that 1946 service at the Cenotaph was Wynford Vaughan-Thomas. Subsequent Services of Remembrance were carried each year on both the Home Service and the Light Programme with commentary alternating between Vaughan-Thomas and Richard Dimbleby. By 1962 Robert Hudson took over the radio commentaries with Dimbleby (and following his death, Tom Fleming) taking over the BBC television presentation.

Hudson would describe the role of commentator for the event as "having a pastoral role to play; his words, dropping precisely into place, must strike exactly the right note. The mental image of the scene and the personal recollections prompted by his words can often be more vivid and satisfying than any television picture, however skillfully composed."

This brings us to Sunday 13 November 1960 when this recording of the Service of Remembrance was made. The announcer (Frank Phillips?) introduces the programme before going over to “our observer overlooking the scene in Whitehall”. That observer is once again Wynford Vaughan-Thomas. This is another recording made by Eric Bartington and digitised by Gerard de Roo, to whom I extend my thanks. 

Since this recording the radio commentary for the Service of Remembrance from the Cenotaph has been provided by the following:

Robert Hudson (1962-84), Raymond Baxter (1985), John Hosken (1986-88), Tom Fleming (1989-93), Cliff Morgan (1994), Eric Robson (1995-97) Nicholas Witchell (1998, 2000-02, 2006-15), Robin Lustig (1999), Fergal Keane (2003-05), Jonathan Dimbleby (2016 & 2018), James Naughtie (2017), Eleanor Oldroyd (2019) and Paddy O’Connell (2020- ).

Robert Hudson's diagram for the 1984 service
(from Inside Outside Broadcasts, R&W Publications 1993) 

Paddy O'Connell on broadcasting from the Cenotaph
(Radio Times 13 November 2021)

Lost Hearts

 

Amongst the many ghost stories from the pen of M.R. James is one with all the classic elements of the genre: a young boy sent to a remote country house, a reclusive relative, visions of the recently departed, unexplained scratches on the bedroom door and a gruesome final image.   

Lost Hearts was originally published in 1895 and later appeared in the 1904 anthology Ghost Stories of an Antiquary. This collection has been much plundered by TV producers, particularly by the BBC for the series of ghost stories for Christmas. Lost Hearts was broadcast by BBC1 on Christmas Day 1973 but there has been an earlier ABC production, now lost, in March 1966 adapted by playwright Giles Cooper. Film versions appeared in 2007 and 2018.

On the radio there have been a number of readings of the story. In 1946 David Lloyd James read it in an afternoon story slot on the Home Service. At Christmas 1957 it was Hugh Burden’s turn on the Third Programme. Again at Christmas Benjamin Whitrow read it, this time on Radio 4 in 1997. Ten years later Derek Jacobi introduced a 15 minute dramatisation. Both these broadcasts have been repeated on Radio 7/4 Extra. It appeared yet again in December 2019 as part of the Ghost Stories from Ambridge series with John Rowe, aka Jim Lloyd of the The Archers, narrating.   

But there’s one reading that appears to have been overlooked, and its one by the star of numerous Hammer horrors, Peter Cushing. It was tucked away in the now long-forgotten Radio 4 Sunday morning magazine show Forget Tomorrow's Monday. Running from October 1977 to December 1978 it was produced by the Woman’s Hour unit. The guest on the 29 October 1978 show was Peter Cushing and he was asked to read Lost Hearts.  A recording of Forget Tomorrow's Monday was passed to me some time ago by Richard Tucker, a collector in New Zealand, but it was only recently when I listened again that I realised the value of this recording. It’s never, to my knowledge been repeated and may not even be in the Sound Archives.   

So enjoy, for the first time in 43 years, this telling of a story from the master of Victorian macabre.

You've Got to be Joking

You've Got to be Joking was the radio comedy panel show that ran for six series between 1976 and 1982. I say panel game though there was no discernible format. The chairman Cardew Robinson would give each of the three comedians a subject or maybe the start of a story that they would follow-up with gags, a shaggy-dog story (the shaggier the better) or a song.  

The show was devised by the BBC resident comedy guru in Manchester, producer Mike Craig, though obits for Cardew, who died in 1992, erroneously credit him with the idea.

Accompanying the comics for the songs was Harry Hayward, perhaps best known for his numerous appearances on Workers' Playtime and later Ken Frith who often played with the Northern Dance Orchestra. 

The six series started off on Radio 2, where it really belonged, but with series 3 and 4 turning up on Radio 4, though both stations repeated some editions that had been heard on the other one.

Providing the comedy were invariably Northern comics, well steeped in touring the clubs and theatres. Some were fairly regular broadcasters like Duggie Brown, Bernie Clifton, Tom Mennard, Dave Evans.

Cardew Robinson had been broadcasting on the radio since 1947 initially billed as Douglas 'Cardew' Robinson and then adapting The Cad persona. He'd pop up on numerous variety shows such as Variety Bandbox, Variety Fanfare (where he was the resident comic), Music-Hall, over 80 editions of Workers' Playtime, Blackpool Night, Variety Playhouse and London Lights. He was also on the mid- 60s Ken Dodd shows and over 60 editions of the comedy panel show Does the Team Think?

I've a couple of editions of You've Got to be Joking that I recorded. From the start of the 1980 series on Radio 4 comes this gem of a show with Tom Mennard, one fine form here, Bernie Clifton, with a 3½ minute gag fest at the start, and Tony Peers. First broadcast on 9 July 1980 and repeated on Radio 2 on 30 June 1981 it has not been heard since.

From the fifth series here are Mike Burton, Malcolm Stent and Jan Harding. This was broadcast just the once on 24 March 1982.

Series Guide

Series 1: 13 December 1976-7 March 1977 (13 episodes) BBC Radio 2

Duggie Brown, Bernie Clifton, Tom O'Connor, Bobby Knutt, Mick Miller, Jack Platts and Peter Wallis,  

Series 2:28 November 1977-27 February 1978 (13 episodes) BBC Radio 2

Bernie Clifton, Norman Collier, Tom Mennard, Jan Harding, Tony Kent, Bobby Knutt, Don Maclean, Peter Wallis, Mick Miller and Ron Delta 

Series 3: 28 November 1978-20 February 1979 (13 episodes) BBC Radio 4

Bernie Clifton, Tom Mennard, Dave Evans, Jan Harding, Peter Robinson, Duggie Brown and Mike Newman 

Series 4: 9 July-13 August 1980 (6 episodes) BBC Radio 4

Tom Mennard, Bernie Clifton, Tony Peers, George Roper, Jan Harding and Peter Robinson

Series 5: 10 March-14 April 1982 (6 episodes) BBC Radio 2

Alan Fox, Colin Price, Tony Kent, Mike Newman, Malcolm Stent, Vince Earle, Mike Burton and Jan Harding

Series 6: 10 November-15 December 1982 (6 episodes) BBC Radio 2

Mike Burton, Mike Newman, Jan Harding, Tony Kent, Vince Earle, Ronnie Hayward, Phil Cool and Colin Price  

Back in Time On the Light – Part 1

If you were sitting down in front of the wireless exactly sixty years ago what would you have heard? The joys of the BBC Programme Index (formerly BBC Genome) tell us what the BBC was offering but what about listening to those shows again?

In this post I’ll be taking you back in time to the BBC Light Programme on Tuesday 29 August and Wednesday 30 August 1961. Little is likely to have survived in the BBC Sound Archives from those dates. Looking at the listings I know that Tuesday’s episode of Whack-O was secured away as it’s had a Radio 4 Extra repeat. You never know but maybe The Archers or Mrs Dale’s Diary was kept, but I doubt it.

Fortunately we can now fill some gaps thanks to some home taping done back in the day by a young man called Eric Bartington and, more recently, the timely intervention of Gerard de Roo. But more on that later.

Jack Jackson with Record Roundabout

The first show is Jack Jackson’s hugely popular Record Roundabout. By the time of this recording Jack had been in show business for 30 years, with more than a decade as a presenter and broadcaster. As a trumpeter and bandleader he’d been broadcasting since the early 1930s in regular late-nights shows from London’s Dorchester Hotel as well as some broadcasts for Radio Luxembourg and Radio Lyons. During the war whilst his band continued to appear on Music While You Work he also was called on to present shows such as Salute to Rhythm and Band Call.

Post-war Jack performed with his band for a while (including a spell on the BBC tv variety show Rooftop Rendezvous) but his main employment was as a presenter looking after the proceedings on Jazz Matinee (his first show with Mark White as producer) and Band Parade (1947-50).

The first radio series with which Jack was most closely associated is Record Round-up. Starting on the Light Programme in January 1948 it ran until April 1954 and was one of the rare gramophone-only shows on the network at that time. It was during this series that he began to adopt the style that was to become his trademark. Short witty introductions interspersed with comic effects and comedy lines proving something of a nightmare for the studio managers and grams operators. It was only the later Record Roundabout shows that Jack pre-recorded in his home studio that fully allowed this style to develop.    

In 1955 Jack’s radio work ceased when he signed an exclusive contract with one of the new commercial television contractors, ABC. He was there on the opening day in September 1955 to introduce the Gala Night variety show and was given a Saturday night show introducing “personalities, news and music from the world of show business” from the Embassy Club in Bond Street. This didn’t particularly work for Jack and after a month it was re-titled On the Town with Australian actor Ron Randell as the compère. Instead Jack was given a Sunday afternoon show (not long afterwards moved to Sunday night) that became known as Record Time. Co-written and devised with his former BBC producer Mark White it better suited Jack who sat behind a desk and presented “a fast-moving combination of music and comedy, chatting to guests and welcoming his own supporting company of comedians”.  His regular team included Joan Savage, Glen Mason and Paddie O’Neil. Ideas for the show were tried out by Jackson and White in Jack’s studio at his home in Rickmansworth mixing comedy effects from records by the likes of Danny Kaye, Spike Jones and Stan Freberg. Producer Peter Glover told the TV Times that each week’s show is built like a variety bill mixing comedy with fast and slow numbers. “It doesn’t always work out in that way because in the record business sometimes everything is a ballad or its all skiffle”.   

By 1959 Jack was back on the radio, both BBC and on Luxembourg. On 208 he presented the Decca sponsored show Record Round-up (later with Colgate-Palmolive sponsorship) as well as The Juke Box Show (“the fast and furious new-style programme for juke-box fans”) and Hit Parade. On the Light Programme he started his run of Record Roundabout shows, initially on a weekday evening before settling into its Saturday lunchtime berth from May 1962 by which time he moved to Tenerife and had set up his studio there. Now a much slicker operation the records came one after another with none of the usual pauses in between for the usual “that was”, “this is” intros. Uniquely for the time he would even announce a record title and artist mid-way through the song. The show ran until June 1969, by now on Radio 1. A final series aired on Radio 2 in late 1971 but he came back for some bank holiday one-offs in 1975 and 1976 by which time he’d returned to the UK. Jack died in January 1978.

This recording of Record Roundabout dates from Tuesday 29 August 1961 when it was broadcast between 21.31 and 22.30. The first 12 minutes or so are missing so there’s no opening theme – Harry James’s Carnival – and his usual “good evening record lovers everywhere, and welcome to the show” announcement. Also in this show, unlike other recordings I’ve heard from this time, Jack doesn’t use any comedy clips between any of the records.    

Record Roundabout consisted entirely of new releases so he crams in a fair few titles with a mix of pop, ballads, trad jazz and the instrumentals that were all the rage at the time. We join the show with Eggheads by Brian Blackburn and Peter Reeves from the BBC tv sitcom of the same name that centred on student life. Other tracks are:

You Belong to My Heart - Ray Adams

If You Don’t Somebody Else Will - Connie Stevens

Ain’t Gonna Wash for a Week - The Brook Brothers (voted a ‘hit’ on the previous week’s edition of Juke Box Jury)

Square Feet – Monty Babson

Skin Divin’ – The Avons

I’ll Never Smile Again – The Platters

Don’t Bet Money Honey – Linda Scott

The Avengers Theme – Johnny Dankworth & his Orchestra (missing from the YouTube upload for copyright reasons)

Blue Moon – Frank Sinatra

On Route 66 (Get Your Kicks) – Anita Bryant

Someday You’ll Be Sorry – Kenny Ball and his Jazzmen

I Don’t Hurt Anymore – Ann Margret

One More Crime – Dick Williams & his Orchestra

The Juke Box is Broken – Max Bygraves and the Two-Tones (also missing from the YouTube upload)

Jump for Joy – Sarah Vaughan

That Old Black Magic – Earl Watson

San Antonio Rose – Floyd Cramer

True Love – Terry Lightfoot’s New Orleans Jazzmen

Manana (Is Soon Enough for Me) - Peggy Lee

Starfire – The John Barry Seven (this would be used as the theme for the TWW series Discs-A-Go-Go with Kent Walton)

(These recordings are presented here via Mixcloud but they’re also on YouTube but some tracks are missing for copyright reasons)

Serenade in the Night

Following Jack Jackson that summer evening in 1961 was Serenade in the Night, a “late-night journey into melody”. The series had started in March 1959 (though there had been earlier programmes with the same title) and featured a regular orchestra plus guest musicians and singers all linked by one of the staff announcers. Throughout its six year run (it ended in January 1965) orchestras led by Hill Bowen, Reginald Tilsley, Sidney Bright, Peter Yorke, Bernard Monshin, Frank Chacksfield and Eric Rogers (of Carry On fame) all appeared.

In this recording of Serenade in the Music presented by John Hobday the lead orchestra is Bernard Monshin and his Rio Tango Band. Monshin, a bandleader at the tender age of 17, would tour with his Tango Band during the mid-30s before taking a year’s residency in 1937 at the Hotel Borg in, of all places, Reykjavik. Back in London he was leading the resident orchestra at London’s Casini Club. Seeing wartime service in the RAF he re-formed his orchestra after the war and made hundreds of broadcasts for the BBC on programmes either in his own name and on Cafe on the Corner, Tango Time, Melody Hour, Break for Music, Morning Music, Melody all the Way, Tuesday Tunetime and, most notably, Music While You Work for which he appeared in 146 editions between 1948 and 1967.

Also in this edition are The South Sea Serenaders led by guitarist Ernest Penfold and the Sidney Bright Trio (Sidney was the twin brother of bandleader Geraldo, real name Gerald Bright). The singer is Julie Dawn who Radio 2 listeners in the early 70s may remember from her Girl Talk feature on Charlie Chester’s daily show and letters feature on Night Ride as well as Penfriend Corner on You and the Night and the Music in the 1980s.      

This recording is of almost the full show, only the 11.30 pm news summary read by Robin Boyle and part of the following piece of music is missing.

The tunes include (of those I can positively identify) Amico Tango, Fascination (based on a 1904 waltz with English lyrics added in the 50s it was recorded by Dinah Shore, Nat King Cole and others), Ernest Ponticelli’s Owl on the Prowl, The Last Tango,  Ron Goodwin’s Pleasure Island, September in the Rain, September Song, With a Song in My Heart (at the time the theme tune for Family Favourites), Spanish Harlem, Resta cu’mme (Stay with Me), Little Serenade, My Loving Hands, Thou Swell, Caravelle, Drifting and Dreaming, El Gato Montes, What Kind of Fool Am I? from the recently opened West End show Stop the World- I Want to Get Off, Cry Like the Wind, Sweet Hawaiian Kisses, and I’m in Love with the Honourable Mr So and So.    

Exhibition Choice

From the following day, Wednesday 30 August 1961, comes this partial recording of Exhibition Choice. This show aired for a couple of weeks a year between 1957 and 1962 from a stand at the National Radio Show at Earls Court, and again between 1964 and 1965 from the Ideal Home Exhibition at Olympia. Apart from giving the audience to chance to see a BBC programme go out live Exhibition Choice’s USP was that you’d get an instant record request played. Whilst chatting for a minute or so to the host, staff at the BBC’s Gramophone Library would scurry away to find your requested disc. Most times they succeeded though, as we hear in this show, they failed to locate Nat King Cole’s I Give My Heart to You as “all the copies are out”.     

At the 1961 National Radio Show the BBC presenters of each 30-minute Exhibition Choice included Eammon Andrews, David Jacobs, Jean Metcalfe, Pete Murray and, in this instance, “Mrs Elrick's wee son George”.

George Elrick was an extremely popular presenter in the 1950s and 1960s, especially for his regular stints at the helm of Housewives’ Choice. A former drummer and vocalist with Henry Hall and the BBC Dance Band he’d been broadcasting since the mid-30s on both the BBC and Radio Luxembourg (billed as Maclean’s Laughing Entertainer and his Band, sponsored by the makers of Johnson’s Wax Polish). He also toured in the Jack Hylton-produced show Youth Must Have Its Swing. During the war he was an ENSA officer and continued to broadcast on shows with the Scottish Variety Orchestra and with his band in shows in his own name as well as Music While You Work. An early appearance in 1946 on Housewives’ Choice led to repeated bookings on the daily request show over the next 21 years. Away from the radio he managed Mantovani for two decades, was a judge on ATV’s New Faces (1974-77) and was very active in the Variety Club of Great Britain. George died in 1999.

At the time the outlet for pop music on the Light Programme was limited so it’s interesting to hear how, when it comes to a free choice from the audience, they’re keen to hear the hits of the day. The biggest cheers go up for Adam Faith and Gary US Bonds (the record is just credited as U.S. Bonds)

In this edition of Exhibition Choice you’ll hear:

Only the Lonely - Roy Orbison

Dum Dum - Brenda Lee

Sailor – Anne Shelton

Don’t You Know It – Adam Faith

The Touch of Your Lips – Nat King Cole

Quarter to Three – Gary US Bonds

(Theme) Polka for Strings – Dolf van der Linden & his Orchestra

There are also some sonic artifacts (several short beeps) in this recording which were on the original tape. After the show we have some programme news and then to fill the gap up to the 12.30 news summary its the Light Programme interval signal Oranges and Lemons which, I understand, was played on the novachord by Charles Smart. 

Parade of the Pops

The final programme is Parade of the Pops which ran on the Light Programme and then Radio 1 for most of the sixties. It was very much in the mould of tv’s Six-Five Special and Oh Boy! and radio’s Saturday Club. Featuring a resident band and singers who performed the hits of the day, plus some standards or songs from recent films thrown in for good measure, the show included a guest pop star would make an appearance to promote their current single and sang one or two others – Cliff Richard was on the first show. The whole thing was hosted by Denny Piercy.

The format meant it was essentially a show of cover versions, of varying quality it must be said. Listeners to the Light Programme were treated to this show format (see other lunchtime shows such as The Beat Show, The Joe Loss Show, Monday Monday and Pop North) as it avoided eating into the wafer-thin amount of needletime.

Parade of the Pops first aired on a Monday evening between January and April 1960 before returning in August of that year in what would become its traditional slot of a Wednesday lunchtime from the Playhouse Theatre on Northumberland Avenue. The show was, as far as I can ascertain, recorded at noon the preceding Saturday. It finally ended in October 1968 by which time it had transferred to Radio 1 and was replaced by Radio 1 Club.  

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The house band throughout the run was Bob Miller and the Millermen. Led by alto-saxophonist player Bob Miller, they were a versatile outfit that would play instrumentals and accompany most of the songs featured on the show.  Their sound was ideally suited for the sax-heavy sound that was so prevalent at the time with combos such as the John Barry Seven, Lord Rockingham’s XI and Ken Macintosh and his Orchestra

Formed in the late 1950s they had already been the stars of the BBC tv Six-Five Special successor Dig This! and its longer-running Saturday night successor Drumbeat.  This latter show was compered by songwriter and actor Trevor Peacock (many years later Jim Trott in The Vicar of Dibley) and often featured the close harmony group The Raindrops. Parade of the Pops provided the mainstay of the radio work for the The Millermen and they continued to broadcast on BBC radio into the early 1970s

The Raindrops were the featured group for the first couple of years of Parade of the Pops though they continued to broadcast on the BBC throughout the decade on shows such as Workers’ Playtime, Pops with Lenny (with Lenny the Lion and Terry Hall), Music-Hall, The Tommy Steele Show, Benny Hill Time and The Al Read Show. Formed in late 1958 by trombonist Len Beadle, The Raindrops also included Jackie Lee (who married Len later in the 60s and is best known for her singles White Horses and Rupert), Vince Hill (who went solo in late 1961 but continued to appear on the show) and songwriter Johnny Worth (born John Worsley but often credited under his stage name Les Vandyke). In 1959 they appeared on the Light Programme shows Swingsong and Saturday Club and BBC TV’s Trinder Box (with comedian Tommy Trinder) as well as Drumbeat performing with Bob Miller and his Millermen. It was producer John Kingdon that first brought together The Raindrops and The Millermen on the radio in the 1959 series The Pop Shop, the forerunner to Parade of the Pops. By the time of this recording Johnny Worth had been replaced by Brian Adams.        

Presenter Denny Piercy had been a drummer and percussionist with Edmundo Ros, toured as part of a double act with singer Dickie Valentine and played in the Reg Wale Four (with Dorren Lundy and Les Sands). Parade of the Pops seems to have been Denny’s first presenting role and aside from this show he was on Radio Luxembourg’s Spin-a-Disc as well as popping up on Housewives’ Choice, Thank Your Lucky Stars and Juke Box Jury. On the Light Programme and then Radio 2 he presented Double Spin, Swingalong and Accent on Melody. During the 60s he continued to play as a session musician, he can be heard on The Yardbird’s For Your Love for instance and played with the Lennie Felix Trio. Fellow Light Programme DJ David Hamilton (who presented one of the other lunchtime shows, The Beat Show) told me that he remembered Denny as a “very genial character, witty and steeped in the business, a real pro”.

Denny also wrote scripts for Double Scotch as well as providing funny lines for Val Doonican and Vince Hill. By the 1970s he was mainly working as a television audience warm-up man on shows such as This is Your Life, It’s Tommy Cooper and Please Sir! As to what subsequently happened to Denny I’ve no idea. If you know please do get in touch.

The show was pretty much an immediate success, so much so that by the end of its first year EMI’s recording manager Norman Newell had already approached the BBC to record an LP.

This recording of Parade of the Pops followed on from Exhibition Choice and includes the both the 12.30 and 13.30 news bulletins and some piano interval music before Cricket Scoreboard (not on the tape) at 13.35.

The special guest is a 14-year old Helen Shapiro belting out her recent number one hit You Don’t Know and the B side Marvellous Life. Apart from that its pop tunes of the day all performed by the Miller’s band and his vocal group The Milltones (who included Dougie Arthur) as well as The Raindrops, either as a group or as solos.

There’s some real talent on display here and attending the show live at Playhouse must have been a thrill but you can understand why Britain’s teenagers so whole-heartedly took to the Beatles the following year and the offshore pirates three years later. Elvis had four number one hits in 1961 but if you only heard Dougie Arthur’s version of the reverse side of his latest “waxing” then you’d wonder what all the fuss was about. As for the cover of Runaway, I’d close your ears.  

The songs covered are: Ain’t Gonna Wash for a Week (The Brook Brothers), Old Smokie (Johnny and the Hurricanes), Temptation (The Everly Brothers), Climb Every Mountain (Jackie Lee singing this one as Shirley Bassey had just released her version of it), There I Said It Again (originally recorded by Vaughn Munroe and more recently Al Saxon), Amor Amor (Vince Hill doing his best to impersonate Ben E. King), You Always Hurt the One You Love (Clarence ‘Frogman’ Henry), Someday You’ll Be Sorry (Kenny ball and his Jazzmen), Who Put the Bomp (The Viscounts), Lumbered (Lonnie Donegan), Quite a Party (The Fireballs), I Feel So Bad (Elvis Presley), The Trek to Rome (Nero & the Gladiators), Runaway (Del Shannon), Don’t You Know It? (Adam Faith), Together (Connie Francis), The Frightened City (The Shadows) and Weekend (Eddie Cochran).   

The recordings

We have Eric Bartington to thank for these recordings. He taped a number of programmes, mainly music shows, but also comedy (The Goons and Whack-O), royal events and sports events in 1960 and 1961. That collection of tape reels (Scotch, EMI and BASF) went with him when he emigrated to New Zealand later in 1961 as one of the Ten Pound Poms. No doubt he wished to take a little bit of British culture with him. 

Eric was born in 1938 in Hendon and later studied at the Hendon Technical College. He became a telephone exchange engineer so dabbling with electronics and hooking up his reel-to-reel tape recorder to the radio would have been no problem for him.

In New Zealand he settled in Auckland from where he would send taped messages back home to Britain and where, based on this 1962 message, he was still recording off the radio, though now the programmes of the NZBC. We know little more about what happened to Eric until this announcement of his death was posted in the New Zealand Herald last year: BARTINGTON, Eric: Passed away on April 9, 2020 after a brave battle with illness. Dearly loved husband of Jo, cherished father of Andrew and father-in-law to Kerry. Loved son of the late Florence and John Bartington. Brother to Anne, John and Allen (deceased). A gentle, kind and compassionate man who gave so much without expectation of return. You will be missed by all who knew and loved you and especially your granddog Winston. Forever in our hearts. Heartfelt thanks to the staff of Howick Baptist Home who cared for Eric in his final year. A private cremation has been held”.

The family started to dispose of some of Eric’s possessions including the stash of tape reels. They were advertised on a local auction site that read “Bulk 8mm film, canisters, spools & film splicer - my fathers collection - refer pictures for details.   Vanguard film splicer 8mm & 16mm in new condition in box.  Brands include Scotch, Philips, Maxell, Tonecrest, Photax & Collaro.  Magnetic tape recordings include Handel organ concertos, Bing Crosby, etc.  Would like to see go to a good home”.

Fortunately Gerard de Roo spotted this advert and bought the lot for just $NZ56 (about £28). Digitising the tapes he realised they contained recordings that would be of wider interest and should be heard and enjoyed again. He contacted me a couple of months ago about the BBC recordings and we’ve been going through the recordings to identify just what we have and the pinpoint the transmission dates.

This is the first of a series of posts to feature these Bartington tapes. I’m grateful to Eric and to Gerard for this glimpse into radio’s past. I hope you enjoy it too.

Easy Night

Cast your mind back a quarter of a century. Dominating the charts and the music press was Britpop, that catch-all for the resurgence in guitar-based pop from the like of Oasis, Blur, Pulp, Elastica, The Boo Radleys, Ash etc. But there was another musical movement sweeping the nation. Easy listening.     

It’s hard to pin down how this all started, though this Radio 1 programme points the finger at the inclusion of Burt Bacharach on the cover of Definitely Maybe. It certainly sent all the record companies scurrying off to their archives and re-releasing   tracks they thought would never see the light of day again. Anything was fair game under the easy listening banner including tv theme tunes, library music, exotica, space age pop and the acts that your parents had enjoyed like Andy Williams and The Carpenters. Collections of CDs labelled as Sound Gallery, Cult Fiction, Loungecore, Cocktail Classics and Music to Watch Girls By filled the shelves at HMV.

In May 1996 BBC Radio 1 devoted the whole of the Bank Holiday evening to the world of easy listening in Easy Night. Presenting were Kevin Greening and Jo Whiley. It’s only right that Kevin was there as he’d been instrumental in championing the easy revival on his weekend shows. On the cover of the CD single of Wonderwall by The Mike Flowers Pops there’s a sticker that reads “as first heard on the Kevin Greening show” and the sleeve thanks Will Saunders (Kevin’s then producer and in charge of Easy Night), Kevin and Chris Evans who played the record on his weekday breakfast show. Chris regularly dipped into the easy listening/library music archives using Alan Hawkshaw’s Girl in a Sports Car (known as Tina’s traffic news bed) and Sam Fonteyn’s theme from Please Sir!

In Easy Night we hear a mix of easy listening pop classics, new versions of old hits and a mix from The Karminsky Experience, the guys behind the In Flight Entertainment albums “mining a groove that seemed to be beamed in from another dimension.”

Kevin speaks to Burt Bacharach, whose PRS royalty cheques must have come flooding in as a result of this easy listening boom, and Tony Bennett, “God’s own crooner” in Kevin’s book.

For no real apparent reason the programme is interspersed with Challenge Graham in which easy listening aficionado Graham Farrar is sent off round London to locate a fondue set, cocktail umbrellas and blue jeans belonging to Neil Diamond, a bit like one of those Apprentice shopping tasks. Graham Farrar is quite evidently Graham Norton in his pre-chat show days. Graham had first worked with producer Will Saunders on Radio 5’s Sunday Brunch and Radio 4’s Loose Ends.    

Giving us the benefit of his wisdom is Professor Keith Haringey, Ronco Chair of Popular Musicology at De Montford University. No idea who the voice of the Professor is, and producer Will can’t recall either.

Choosing their favourite tracks in Celebrity Flashback are Paul Whitehouse who picks Dean Friedman’s Lucky Stars (“well slide over here”). Bjork’s unusual choice is the vocal dexterity of Yma Sumac with Tumpa. Ice T goes for Hey! Love by The Delfonics. Paul Hartnoll, one half of Orbital, selects Nancy Sinatra’s You Only Live Twice.   

Count Indigo is in the studio with a unique rendition of Smells Like Teen Spirit. There’s Bacharach to the Future – The Definitive History of Easy Listening  which is far from definitive and a Top 10 of Easy Listening. That top 10 features (spoiler alert) Dana, Acker Bilk, Peggy Lee, Mantovani, Dusty Springfield, The Carpenters, Dionne Warwick, Morrissey and Andy Williams with their versions of Moon River, Petula Clark’s Downtown and taking the top spot Herb Alpert with This Guy’s in Love With You.   

Providing all the links and announcements is the purring voice of Honor Blackman.

So once again wallow in the nostalgia of four hours of Easy Night. The recordings, in three parts, include news bulletins read by Jane Bolger and the start of Wendy Lloyd’s show at midnight. If records fade out that’s where I had to turn over the C90 tapes. Some records with a wide stereo spectrum appear to be missing part of one channel.

With thanks to Will Saunders. 

Action Stations

 

Over the last three and a half years I’ve been tracking the fiftieth anniversaries of the BBC local radio stations, in a series of nineteen posts from Leicester, Sheffield and Merseyside through to Newcastle, Lancashire and Humberside. I’ll be picking up the history again in November 2023 for the half century of BBC Radio Carlisle/Cumbria.

In the meantime here are two wonderful short publicity films that go behind the scenes at a number of stations a mere forty years ago. Both are titled Action Stations! – BBC Local Radio and were directed by Patricia Owtram for the BBC Local Radio Publicity Unit.

The first, with a running time of 20 minutes, dates from 1981 and is narrated by John Saunders. It’s full of images of newsrooms complete with typewriters, fax machines and Studer tape decks, remote studios, county shows, youth programming, snow days and local elections.

We see at work Radios Lincolnshire, Medway, Sheffield, Humberside (with coverage of the opening of the Humber Bridge this week in 1981), Nottingham, Carlisle (and their farming programme), Bristol (the O Level Show), Leicester, Leeds (with the Best Pub Pianist competition) and London (with the last ever GLC election).

The second shorter film dates from early 1980 though it includes footage from 1977 and 1978. Here the emphasis is more on community involvement and also the BBC Local Radio Parliamentary Unit.  We visit the short-lived Radio Taunton (a Bristol’s emergency news station), Medway, Leicester, Solent, Birmingham, Bristol and Sheffield. There are no credits for this film but the narrator sounds like Laure Mayer to me.      

See how many familiar faces you can spot in Action Stations! BBC Local Radio.